Johannes Girardoni’s pieces at Tomlinson Kong at Pulse struck me as being incredibly contemporary and well executed. I don’t even really go in for this sort of flat, Baldessari-like stuff.
Yet somehow I especially like this print in yellow.
|Exposed Icon #4, 2011, c-print with commercial paint mounted on aluminum, 60 x 40″|
|Exposed Icon 50, Exposed Icon #42, Exposed Icon #42, 2011, c-prints with commercial paints mounted on aluminum|