A Folk Art Paradise in Georgia: Howard Finster’s Paradise Gardens


Over on Burnaway Magazine, there’s a new article up that I wrote about visiting folk artist Howard Finster’s former home and garden in Summerville, Georgia. The artist created an area full of folk art, religious text, and junk intermingled at every turn, and visiting is a fun daytrip from Atlanta or elsewhere in North Georgia. Seeing the artist’s work here, as opposed to a museum, clarifies where the artist was coming from in both a literal and figurative sense, and strengthened my appreciation of his work. I’ve included more pictures here, and just follow the link to read the article “Howard Finster’s Paradise Garden Continues to Thrive” on Burnaway.


I visited Paradise Gardens in June. Now that I’ve gotten back from a long vacation (without a computer–possibly not the best decision I’ve ever made), I hope to catch up and posts of some of the things I’ve seen soon.






Review: Bernd Oppl at the Georgia Museum of Art


Bernd Oppl, Sick Building, 2012; video (still).

A new review of mine about the quietly horror-inspired videos of Austrian artist Bernd Oppl is up on Burnaway Magazine. If you have the chance to visit the Georgia Museum of Art before September 16th, the three videos form a really interesting, only slightly unsettling, exhibition.

“Inhabited” is usually a reassuring word. The works in “Bernd Oppl: Inhabited Interiors” at the Georgia Museum of Art, however, beg the unsettling question: who, or what, is inhabiting these interiors? Three short works—FlockHotel RoomSick Building—by the Vienna-based artist are being screened in silent rotation, none of which depict a human presence. According to curator Laura Valeri, the artist considers the spaces themselves as the protagonists. Continue…


Interview with Regina Rex up on Burnaway


An interview I did with artist Anna Schachte is up at Burnaway Magazine. Anna is a member of the 12-person curatorial collective Regina Rex, located in Brooklyn. She has a lot of fascinating insights into the dynamics of that, and we also discuss how the group curated themselves in an exhibition up at The University of Georgia’s Gallery 307 currently.

Check out the interview here.