New York City, Art Writing, & Cy Twombly

Cy Twombly, Le Quattro Stagioni (The Four Seasons)

Cy Twombly, Le Quattro Stagioni (The Four Seasons), 1993-5

Recently I had the chance to write about what first drew me to art writing. I describe the moment when contemporary art really hooked me–deep in my gut. For me, this moment became very tied with my move to New York City in 2006, when I had just graduated from college and was starting my adult life. Having moved back to the city last month, after a 3-year hiatus, I feel more than a little sentimental looking back. Living in this city is an education in itself, but I have an especial gratitude for all the art that I saw and learned about at through cultural institutions here. As I settle back in, that incredible access to culture remains as much as a draw and delight as ever.

But it all started many years ago, at the Tate Modern in London, with a series of paintings by American artist Cy Twombly:

There was a specific moment when I fell in love with contemporary art; I was 19, a prime age for falling in love, as I would discover, and on a study abroad program in England. One weekend, some other students and I visited London. Along with sites like Parliament and Big Ben, we visited the Tate Modern, not so much because it was an art museum as because it…Continue reading on Burnaway Magazine

Review on Burnaway: A “Cryptophonic” Sound Art Event

Sacred Harp singing by Jesse P. Karlsberg and Sacred Harp singers at "The Cryptophonic Tour" at Oakland Cemetery on May 2, presented by the collective Callosum.

Sacred Harp singing by Jesse P. Karlsberg and Sacred Harp singers at “The Cryptophonic Tour” at Oakland Cemetery on May 2.

“Imagine 11 graveside sound art installations, four musical performances, three graveside chats, one continuous Widow’s Walk performance, and five hours in which to see it all. This was the scene at Atlanta’s historic Oakland Cemetery on Saturday, May 2. A crowd of art lovers, babies and dogs in tow, came to see and hear “The Cyptophonic Tour” in the cemetery’s 48-acre “rural garden.” The event, which received funding from Idea Capital, was an audiophile’s dream orchestrated by the sound art group ROAMtransmissions, a project of Atlanta’s Callosum Collective. ROAMtransmissions curated the content and co-produced it with Arts at Oakland, a new annual arts day series at Oakland Cemetery, long a venue for historical tours and lectures—as well as burials.”

Using Oakland Cemetery’s archives and audio collected on the cemetery’s grounds as source material, ROAMtransmissions’ artists presented immersive performances and installations that recounted various narratives about Oakland’s occupants. Head over to Burnaway Magazine to read my review of this sound art event here.

Review: Beep Beep Throws a Gold Party

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New review of mine up on the Southeast art magazine Burnaway‘s website of the group show “Gold Party” at Beep Beep Gallery in Atlanta:

Seven-year old Beep Beep Gallery likes to kick off each year with a show of new artists. This year, works by seven emerging artists have been brought together for a “gold party,” the hard-times version of a Tupperware party….

Continue here.

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