Around Asheville, North Carolina: Black Mountain College

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There were signs of Black Mountain College, such as the one above and the nearby Black Mountain College Museum and Arts Center, all around Asheville. Black Mountain College was a small experimental liberal arts school  from 1933 to 1956, which it closed due to lack of funds. It left a legacy in the arts, through the works of artists like Joseph and Anni Albers, John Cage, Merce Cunningham, Willem de Kooning, Franz Kline, Kenneth Noland, Robert Rauschenberg, and Cy Twombly, who all taught or studied there. Something must have been in the air of the North Carolina mountains, or in the open curriculum, or in the conglomeration of different minds and talents. Arguably, the first Happening occurred here, in a performance under John Cage’s direction, long before the story of it, among other things, inspired Allan Kaprow to initiate his first Happening.

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Not far from Asheville is the site of the former school, whose buildings were largely constructed by the teachers and students themselves. Now given over partially to guesthouses and partially to a summer camp for children, you can still walk around the old grounds. More pictures of it from a beautifully sunny day are below. I think the outdoor frescoes were painted by Joseph Albers, but I’d love to hear if anyone knows for sure.

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Ravels in Review Friday

You’ll be happy to know that dinner last night was delicious: tilapia, brussel sprouts, and potatoes; and a good time was had be all. (I know you were anxious about my entertaining abilities.)

As it is finally Friday, it’s time for a Ravels in Review post. I think the week certainly started out on a good note with a long-overdue introduction.

If anybody had a chance to check things out in Chelsea, let us know. Hopefully I’ll follow that gallery list myself! Today is 70 degrees and sunny–what could be better?

Happy Friday all!

Connections: John Cage

When an unfamiliar name pops up, I may or may not pay attention, unless it happens twice in a day. John Cage was big at the Guggenheim’s The Third Mind and then at Merce Cunningham’s Nearly Ninety at BAM, where the program noted that the Merce Cunningham Dance Company was partly founded by John Cage. I started to pay attention.

John Cage, Where R = Ryoanji (3R/17), 1992

John Cage with Pianist David Tudor


Yes, the same man is connected with the circle drawings above at the Guggenheim, the photo on the left, the Fluxus movement, Merce Cunningham, and silent music. I was surprised by the collaboration of Sonic Youth and Merce Cunningham, but apparently Sonic Youth, the experimental rock band, are fans of Cage who included 3 of his pieces on their album SYR4.

John Cage (1912-1992) was primarily a composer, albeit one more fascinated by sounds in themselves than creating structure. His most (in)famous piece, 4’33, consists of three movements of silence, signaled by the pianist opening and shutting the piano. The idea behind it is to open you the the noises in the room, the rustling, the whispers, sounds from the street. Many people at the original performance did not appreciate this.

Cage is now a well-established cutural influence, whose Bhuddist-inspired work left a huge-impression on American art. As the Guggenheim describes it, “Cage staunchly refused to create art in keeping with expectations, and all his creative endeavors, including dance, music, and visual art, were revolutionary. His Lecture on Nothing began with his statement, “I am here and there is nothing to say.” His concerts were even more challenging.”

John Cage, Not Wanting to Say Anything About Marcel, 1969

John Cage’s Experimental Composition classes in the 1950s have become legendary as an American source of Fluxus, the international network of artists, composers, and designers. In addition to music, Cage created works of visual art, like the one above referring to his old chess partner Marcel Duchamp, and writings. Cage was also a life-long mushroom collector.