Occupy Ludwig

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I haven’t shared information on Hungarian cultural politics in over amonth, but unfortunately not a result of an improved situation or stasis; I’ve just had a lot of deadlines. Since May 9, protestors have occupied the Ludwig Museum-Budapest’s stairwell, something The Art Newspaper published a story on a few days ago. It’s great to see international media pick up on this local activism directed at the lack of transparency in the government’s cultural decision-making, and specifically against the current most critical issue: the replacement of the current director of the museum, Barnabas Bencsik.

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Bencsik and Júlia Fabényi applied for the position, and an advisory committee recommended Fabényi to the government. Certainly to my mind, Bencsik is the much more qualified candidate. The protesters are also reacting to a series of political decisions that they feel have threatened the autonomy and professionalism of cultural institutions, and the group has stayed (and slept) in the museum for the past 11 days, and intends to stay until their demands for more information about the election of the new director of the Ludwig is met. From their press release:

9th May 2013

Unite for Contemporary Art                                           

We demand complete transparency in the running and adjudication of professional competitions in the art world!

The lack of transparency and culture of secrecy surrounding the current competition for the post of director of the Ludwig Museum – Museum of Contemporary Art Budapest is unacceptable!

The anti-democratic practices afflicting education and society in the last two years have now reached the art world, including: the merger of the Hungarian National Gallery and the Museum of Fine Arts without proper consultation with art professionals, the appointment of the director of the Műcsarnok / Kunsthalle without a competition, the unjustified elevation of the Hungarian Academy of Arts (MMA) to a position of institutional dominance holding sway over public funds, and most recently, the lack of transparency in the Ludwig Museum competition.

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The protesters have held many discussions and other events in the stairwell over the past week. Thursday evening, I attended a lecture by curator Kate Fowle on generative curating. Originally, she was going  to speak at the tranzit office about ICI (Independent Curators International)’s ongoing DO IT project with Hans Ulrich Obrist; however, given the situation the lecture was moved to the Ludwig stairwell and she spoke about reaction and revolution, and the changed role of the curator over the past 20 years with the rise, promise, and disillusionment offered by politically engaged biennials and institutional critique. Occupy as a movement and internationalism were discussed as problematic issues rather than easy solutions. I don’t know what the role of a curator is, or how an institutional critique could best be presented in Hungary today. But the Ludwig was considered the last autonomous art museum. And the protesters-mainly artists and art professionals- are offering a critique of their own.

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In terms of this particular story, however, there is perhaps good news. The government put off its final decision about the directorship for another month, suggesting that it is considering keeping Bencsik in the role. It announced this delay the day after Occupy moved into the stairwell, and a few days after the Ludwig Stiftung (the museum’s collection was founded by a donation from Peter and Irene Ludwig’s  Foundation) insisted on a meeting to discuss the directorship before the final decision was announced.

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This a positive sign, although I have no faith that the government will use the additional time to actually reconsider rather than prevaricate. And, in the interim,  this major institution will continue to flounder without any leadership–no one can be hired (and staff have begun to leave because of the changed circumstances) and no financial commitments can be made. Exhibition planning has ground to a halt as everyone waits. Bencsik’s contract expired at the end of February; now, the earliest possible date for a director is mid-June. It is a shocking waste of time, money, energy for everyone involved–in a truly non-partisan sense–for the government to continue to drag out this stupidity. At this rate I can foresee an empty museum, with no staff and no exhibitions in its galleries. If anything represents the loss and waste to the community, or more clearly exemplifies the damage to the credibility and professionalism of the institution, I think that image does.

A reverse-chronological series of posts about the cultural political situation in Hungary:

Protests Afoot in Budapest

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Text by Stephan Dillemuth in Munich, Anthony Davies in London, and Jakob Jakobsen in Copenhagen. Originally published June 12, 2005.

There is no alternative: The future is self-organised

As workers in the cultural field we offer the following contribution to the debate on the impact of neoliberalism on institutional relations:
• Cultural and educational institutions as they appear today are nothing more than legal and administrative organs of the dominant system. As with all institutions, they live in and through us; we participate in their structures and programmes, internalise their values, transmit their ideologies and act as their audience/public/social body.
• Our view: these institutions may present themselves to us as socially accepted bodies, as somehow representative of the society we live in, but they are nothing more than dysfunctional relics of the bourgeois project. Once upon a time, they were charged with the role of promoting democracy, breathing life into the myth that institutions are built on an exchange between free, equal and committed citizens. Not only have they failed in this task, but within the context of neoliberalism, have become even more obscure, more unreliable and more exclusive.
• The state and its institutional bodies now share aims and objectives so closely intertwined with corporate and neoliberal agendas that they have been rendered indivisible. This intensification and expansion of free market ideology into all aspects of our lives has been accompanied by a systematic dismantling of all forms of social organisation and imagination antithetical to the demands of capitalism.
• As part of this process it’s clear that many institutions and their newly installed managerial elites are now looking for escape routes out of their inevitable demise and that, at this juncture, this moment of crisis, they’re looking at ‘alternative’ structures and what’s left of the Left to model their horizons, sanction their role in society and reanimate their tired relations. Which of course we despise!

In their scramble for survival, cultural and educational institutions have shown how easily they can betray one set of values in favour of another and that’s why our task now is to demand and adhere to the foundational and social principles they have jettisoned, by which we mean: transparency, accountability, equality and open participation.
• By transparency we mean an opening up of the administrative and financial functions/decision making processes to public scrutiny. By accountability we mean that these functions and processes are clearly presented, monitored and that they can in turn, be measured and contested by ‘participants’ at any time. Equality and open participation is exactly what it says – that men and women of all nationalities, race, colour and social status can participate in any of these processes at any time.
• Institutions as they appear today, locked in a confused space between public and private, baying to the demands of neoliberal hype with their new management strucures, are not in a position to negotiate the principles of transparency, accountability and equality, let alone implement them. We realise that responding to these demands might extend and/orguarantee institutions’ survival but, thankfully, their deeply ingrained practices prevent them from even entertaining the idea on a serious level.
• In our capacity as workers with a political commitment to self-organisation we feel that any further critical contribution to institutional programmes will further reinforce the relations that keep these obsolete structures in place. We are fully aware that ‘our’ critiques, alternatives and forms of organisation are not just factored into institutional structures but increasingly utilised to legitimise their existence.
• The relationship between corporations, the state and its institutions is now so unbearable that we see no space for negotiation – we offer no contribution, no critique, no pathway to reform, no way in or out. We choose to define ourselves in relation to the social forms that we participate in and not the leaden institutional programmes laid out before us – our deregulation is determined by social, not market relations. There is no need for us to storm the Winter Palace, because most institutions are melting away in the heat of global capital anyway. We will provide no alternative. So let go!

The only question that remains is how to get rid of the carcass and deal with the stench:
• We are not interested in their so-called assets; their personnel, buildings, archives, programmes, shops, clubs, bars, facilities and spaces will all end up at the pawnbroker anyway…
• All we need is their cash in order to pay our way out of capitalism and take this opportunity to make clear our intention to supervise and mediate our own social capital, knowledge and networks.
• As a first step we suggest an immediate redistribution of their funds to already existing, selforganised bodies with a clear commitment to workers’ and immigrants’ rights, social (antiracist, anti-sexist, anti-homophobic) struggle and representation.

There is no alternative! The future is self-organised.
• In the early 1970’s corporate analysts developed a strategy aimed at reducing uncertainty called ‘there is no alternative’ (TINA). Somewhat ironically we now find ourselves in agreement, but this time round we’re the scenario planners and executors of our own future though we are, if nothing else, the very embodiment of uncertainty.
• In the absence of clearly stated opposition to the neoliberal system, most forms of collective and collaborative practice can be read as ‘self-enterprise’. By which we mean, groupings or clusters of individuals set up to feed into the corporate controlled markets, take their seats at the table, cater to and promote the dominant ideology.
• Self-organisation should not be confused with self-enterprise or self-help, it is not an alternative or conduit into the market. It isn’t a label, logo, brand or flag under which to sail in the waters of neoliberalism (even as a pirate ship as suggested by MTV)! It has no relationship to entrepreneurship or bogus ‘career collectives’.
• In our view self-organisation is a byword for the productive energy of those who have nothing left to lose. It offers up a space for a radical re-politicisation of social relations – the first tentative steps towards realisable freedoms.

Self-organisation is:
• Something which predates representational institutions. To be more precise: institutions are built on (and often paralyse) the predicates and social forms generated by self-organisation.
• Mutually reinforcing, self-valorising, self-empowering, self-historicising and, as a result, not compatible with fixed institutional structures.
• A social and productive force, a process of becoming which, like capitalism, can be both flexible and opaque therefore more than agile enough to tackle (or circumvent) it.
• A social process of communication and commonality based on exchange; sharing of similar problems, knowledge and available resources.
• A fluid, temporal set of negotiations and social relations which can be emancipatory – a process of empowerment.
• Something which situates itself in opposition to existing, repressive forms of organisation and concentrations of power.
• Always challenging power both inside the organisation and outside the organisation; this produces a society of resonance and conflict, but not based on fake dualities as at present.
• An organisation of deregulated selves. It is at its core a non-identity.
• A tool that doesn’t require a cohesive identity or voice to enter into negotiation with others. It may reside within social forms but doesn’t need take on an identifiable social form itself.
• Contagious and inclusive, it disseminates and multiplies.
• The only way to relate to self-organisation is to take part, self-organise, connect with other self-organising initiatives and challenge the legitimacy of institutional representation.

We put a lid on the bourgeois project, the national museums will be be stored in their very own archive, the Institutes of Contemporay Art will be handed over to the artists unions, the Universities and Academies will be handed over to the students, Siemens and all the other global players will be handed over to their workers. The state now acts as an administrative unit – just as neoliberalism has suggested it – but with mechanisms of control, transparency accountability and equal rights for all.

END

STRIKE

Updates on Hungary’s political situation outside the arts:

http://hungarianspectrum.wordpress.com/2013/03/09/the-significance-of-today-demonstration-in-the-hungarian-capital

http://nemma.noblogs.org/2013/03/10/the-constitution-is-not-a-game

Top images from the Free Artist Protest #4

Bottom image from Tamás St.Auby’s “IPUT: Subsist.Ence Level St.Andard Project 1984 W (or This is what has become of the unicell)” exhibition at the Ludwig Museum

Ai Weiwei

As you might have heard, China accused Ai Weiwei, artist of Olympic “bird’s nest” stadium fame and other internationally-known projects, of economic crimes and has held him in police custody since April 7. This happened right after I saw a fantastic PBS documentary on the artist, Who’s Afriad of Ai Weiwei, available here, which gives some nice background on the Chinese government’s treatment of the artist.

There have been protests across the world, and this weekend NYC joined in with 1,000 Chairs for Ai Weiwei. It has been suggested that the Chinese government wanted to send the message that no one is immune to the “rule of law”–or the government’s censorship–but let us hope that is not so.