Durer’s woodcuts were widely disseminated and successful. He also produced some very modern watercolors (at a time when other artists used crayon and paper). Durer was among the first to sign his sketches rather than consider them so much wastepaper. He also painted portraits, like the ones of himself above, but also of other individuals, large religious scenes, and some singularly beautiful works of pieces of turf and animals. More and more Durer tried to capture the secret of natural beauty. Interestingly, he disliked painting commissions because they paid so little compared to the amount of work involved.
Durer’s paintings were work-intensive. He had a painstaking method of going over the colors again and again so that they have the luminosity of tempura, and the really pure colors he used highlight this. He insisted upon revarnishing the canvases himself when they got dry, because he used a special good wax that didn’t yellow as it aged. He painted for things to last forever. While his painting method changed as he grew more successful and had assistants help him with his larger compositions, it remains exemplary of the enormous amount of attention he devoted to his craft.
Yes, but Durer’s real genius was in his printmaking, where his mastery has always been recognized. You can’t just ignore that.
I’ve always loved Durer’s Jesus self-portrait. I like totally swooned over it in college art history. (ha!)
Always a delight when you blog about the old stuff.
I always thought Durer was hot to be honest.
Wow, who knew Durer had such a fan club of young ladies. He’s pretty good looking. Now I will have to research whether he was gay–for some reason I always thought so