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| “So close” |
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| “I wonder if this is how Venus d’Milo got started.” |
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| “Well, my mother was right. She always said Steve had an obsession with that chain saw. And it was just one limb after another.” |
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| “So close” |
![]() |
| “I wonder if this is how Venus d’Milo got started.” |
![]() |
| “Well, my mother was right. She always said Steve had an obsession with that chain saw. And it was just one limb after another.” |
Cheryl Molnar is a collage and multimedia artist, and in fact what I first thought were sharp-edged paintings are carefully composed and assembled landscapes. Unfortunately, my camera is adding the 70s yellowish cast to these photographs (and no, this is not an Instagram filter, just a bad photo). I liked how her landscapes captured the quintessence of places, even as the collage pieces fractured the space into geometric, almost abstract designs.
The edges show just a bit at the end, and you can also see the transparency of the layers here.
Susan Graham’s Toile Landscape is a collection of works that were just at Schroeder, Romero & Shredder Gallery that the artist moved back to her Smack Mellon studio in time for DUMBO Arts Festival. I loved the intricacy of her all-white creations (yes, despite the yellow tint to my photograph these are white.)
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| Detail of above |
Graham presents trees, towers and other tableaux here with delicate lines. Graham made these pieces out of sugar–in fact out of sugar, egg whites, wood and wire. (In fact, sculptures made of sugar are by no means a new thing, and apparently can last quite a long time.) In addition to sugar, the artist also works with porcelain. Here we have small landscapes of sorts, but more confrontationally in terms of material vs. content, she makes delicate white guns and lawnmowers.