Chichen Itza: New Wonder of the World



The seven NEW wonders of the world might be a suspect commercial ploy, but the actual site of Chichen Itza, with its glorious central pyramid and extensive other buildings, is anything but. Chichen Itza was built largely between 700 and 1000 AD.

El Castillo, below, is about 80 feet high, and contains a smaller, older pyramid inside. It was dedicated to the feathered serpent god Kukucan, and is aligned with the stars. Around this time of year, the sun will the right side of the pyramid that you see here in a manner that causes a shadow along the left side that looks like a serpent. Carved serpent heads sit on either side of the stairs at the bottom of that side.


All these years later, it is astonishing to see the perfect lines of the structure.


Many other temples and buildings such as a steam bath and an observatory encircle El Castillo. The carvings, weathered and lacking their original colors, remain intricate and fascinating. The skill it took to create and decorate such structures is astonishing, and made even the heat and all the tourists worth it. This wall of skulls was was part of a smaller sacrificial site nearby.


The eagle and the jaguar were important symbols for the ancient Maya. Here you can make out eagle holding something up in its claw: a beating human heart. Removing the heart from living prisoners was done to placate the gods and ensure the return of the sun.


On a lighter note, who knew the Mayans invented tic tac toe?


Chichen Itza is one of the largest sites, and the most heavily touristed–it even has a lightshow on the pyramid at night. However, Mayan ruins abound across the Yucatan peninsula, where I am, and I can’t wait to see more this weekend and learn more about the people who originally created them.

Common Thread at the Art Fairs: Nicholas Hlobo, Jessica Rankin, Sara Rahbar

Nicholas Hlobo, [anybody know the title?]

I had a romance with textile works before, but after seeing some of the works at the art fairs I’m absolutely in love with threads. These three pieces struck me as using textile well. Unfortunately the stills I made from video (after my camera died!) are pretty horrific, so let me explain that above Nicholas Hlobo stitched on thick cream paper with thread that wandered across the surface picking up detritus like the surgical mask in the bottom left corner. It took up a huge space at the Michaela Stevensona Gallery booth at the Armory.

Also at the Armory, Jessica Rankin stitches, or rather creates a kind of delicate tapestry, of glittering dark threads with words interspersed below.

Jessica Rankin, Dark Star

Detail shot of the words, left, show how well integrated they are in the piece, and also what a nice shadow they created on the wall behind. WhiteCube Gallery says the artist’s work features a series of ‘mental maps’, with codes, signs and symbols that explore ideas of memory, intuition and interpretation.

The threads in these works were delicate tendrils, trying to hold things together in a bare palette. Then with a joy I saw flag by Sara Rahbar at Pulse Art Fair. The Iranian artist often works with flags to deal with the meaning of culture on an individual level. Here she collaged thick decorative floral patterns over the American flag. The artist works with themes of identity, location, country, so perhaps it is not so far fetched that this work by an Iranian artist who grew up in the United States should speak to me about my trip to Mexico, which, by the by, is going splendidly.

Sara Rahbar, The Fortune Teller (Flag #25), 2008

Eye Candy: Piotr Uklanski at the Armory

Untitled, 2010

Piotr Uklanski is everywhere these days. The artist, whose contribution to the Whitney Biennial differed strongly, had this candy-colored piece up at the Armory. This large resin on aluminum image was not only as appealing as candy, but it managed to stick out of the Armory melee. It was part of a strong show from the Galerie Emmanuel Perrotin, which is currently battling it out with the awesome Jack Shainman in my head for Armory gallery supremacy.

If you missed Uklanski’s piece, never fear. Head to IKEA soon to see sculpture by the artist. Yep, that’s right: IKEA.