Mirror, Mirror, Everywhere: Jonah Freeman and Justin Lowe

Mirrors were everywhere at the art fairs (Yes, I realize this is a belated post. Life is crazy. For regular posting to begin soon, offer me an awesome full-time marketing job, please.)

This installation by Jonah Freeman and Justin Lowe at Marlborough Chelsea’s booth at the Armory was my favorite of all the mirrors though, for the textured surfaces of the mirrors created by a layered printing process. They appeared rather like abstract, naturalistic watercolors despite the medium.

I also appreciated the setting; the artists also designed the wallpaper behind the mirrors, which feature a fractal-like pattern. The duo notably also created a whole environment for Bright White Underground in 2010 (great photos of this on The Selby).

Chalk and Pins at the Armory

A different use of chalk as a medium at the Armory. I’m on the train to Philadelphia at the moment for a work conference, so just a quick post. Chalk and pins L, 2010 by Pascale Marthine Tayou was up at the Galleria Continua booth at the Armory. More about the artist on the gallery’s website. By the way, if you have a reccomendation about where to get a Philly cheese steak sandwich near the city center area, please let me know!




Awesomeness: Jens Schubert at Volta


Whew, the art fairs have ended. I was laid low with a stomach bug for most of it, but I did get to catch a bit of Armory, SCOPE, and Volta (which was more than enough, thankyouverymuch). To begin with my new favorite: printermaker Jens Schubert was represented by Galerie Kleindienst in one of the solo-artist booths at Volta. These colorful, densely layered prints filled me with glee. I really enjoyed looking at them; I thought the compositions were fantastic and allusive; I even liked the planets, above, which are very much not my thing. In a word: awesome. Bonus points for the textured plastic floor you can make out in the photograph below.

“With the vivid and impasto variegation of his paintings, the striking forms and particularly with the repetition of motifs Schubert`s formal language sometimes reminds the viewer of folk art. Masks, animal motifs, floral and architectonic elements, as well as abstract ornaments are interwoven to puzzling and mythical figures. Not a realistic depiction or story telling is decisive, but the expression focuses on a strong emotional charge of the pictures. The prints are extremely complex. Either Schubert compiles varied motifs on one plate or he puts several layers above one another on his large size prints, so that different individual motifs form a new figure.” –Volta website