Category Archives: Chelsea

Anna Jóelsdóttir: Near Chaos

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There is turmoil in the world, too many dots to connect; we are many outsiders floating around lost centers. I want my work to reflect that near chaos. – Artist Statement

Of the openings I went to in Chelsea last night, I saw a lot of more, or less, successful toyings with geometric shapes and color (nostalgia much?). What a relief then, to come upon Anna Jóelsdóttir’s show priest chews velvet haddock at the Stux Gallery.

For this exhibition, the Chicago-based Icelandic artist produced mylar installations, paintings, a really extraordinary journal, and a big game of pick up sticks. While that may seem like quite a range of objects, they were very much unified by a stark, sprawling, detailed aesthetic that was precise yet evocative. It was too crowded to get a good installation shot last night, so I pulled the images above from Stux’s website. The artist folds, cuts, and otherwise manipulates the painted mylar into a variety of complex forms. The mylar shows her typical thin streaks and spurts of color on a white background.

When the Bough Breaks

Jóelsdóttir’s paintings, also on white backgrounds with pulsing color connected by thin lines, create poetic yet direct images. Somehow even where there is chaos and tension, there is also a sort of peace. I’m not sure how well these paintings reproduce here, but seeing them last night I was struck by how refreshing and clean the white background was, and how well the artist used the thin crawling lines to explode the space. They felt very personal and immediate. I like how they reconcile what ought to be opposite characteristics, like emotion and coolness, and strength and delicacy. They’ll be up through the New Year if you have a chance to go by, and I recommend you do. More about the artist on her website.

Bent Horizons

Art Isn’t Dead

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DUH.

I’m hoping the embed option for this video actually starts to work. If not, check it out at New York Magazine’s website. Jerry Saltz did a tour of 24th Street to show that Chelsea is still functioning and thriving. Going to Gagosian might not prove that, but it will provide some nice clips of the work by Murakami I was discussing yesterday. He starts the video with the other show in the gallery, which I didn’t love. To his credit, he focuses on the less annoying works.

Shiny metallic purple = 80s much?

The video is meant to accompany an article that says the gallery system isn’t dead–galleries are existing and new artwork is being shown and made. I like Jerry Saltz and I like his writing. I would like to take a class at the Bruce High Quality Foundation he talks about. But in this video he highlights a few very well established and commercially successful galleries that are still showing art. But of course.

Coming up Roses: Will Ryman at Marlborough Gallery

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Ah, the purity of roses in the sunlight! I can almost smell the scent wafting over me. But is that a cigarette butt I see at the bottom of the stem? Oh yes, it is. It seems things are not all peachy keen in Will Ryman’s oversized hyperbolic rose garden. Up at Marlborough Gallery in Chelsea through October 10, these sculptures by Ryman are well worth a wander through this quasi-fairy tale world, if only for the fun of it.

Some signs of garbage and bugs might about, but all the same the rose garden strikes a happily note. How can you argue with ballet pink and Venetian red? The bugs are kind of cute, even the bag of Wise potato chips and the crushed Starbucks cup seem colorful and cheery.

The artist was trying to create a rodent’s perspective on a NYC rose garden, which I have to say makes the experience almost too literal to be interesting. Walking through the clusters of roses makes you aware of their overwhelming stature and it increases your sense of being in some kind of wonderland. One can only think the black aphids and cigarette butts are meant to disturb that experience. It misses that mark, but maybe it is supposed to be more ambiguous than that. Entitled A New Beginning, perhaps this installation is meant to be hopeful.

What do you think?