Blackbirds singing, cawing, whatever, in the dead of night


Conference of Rooks

Blackbirds, rooks, crow, ravens…whatever you call them, these birds are almost a trope in contemporary art, reminiscent of a Victorian Goth aesthetic. They are often considered ill omens. Unless, that is, they frequent your Mexican doorstep, twice the size of any normal birds, chattering away. You have to get used to them. Here in Playa del Carmen, at any rate, there are only rooks rather than the enormous turkey vultures that used to buzz around the patio in Merida. These two videos from the New York art fairs this past March capture how noisy these birds can be.


Kristof Kintera at Jiri Svestka Gallery, Armory 2010

Personally, I’ve had the creeps over birds ever since seeing Alfred Hitchcock’s film The Birds years ago. Moving to New York city and being surrounded by pigeons as clean as rats didn’t help my aversion. The turkey buzzards probably made it worse, and now a neighborhood rooster wakes me up around 6 every morning. I am not fond of birds.

What is it about these fellows that captures the imagination anyhow?

Sarah Lutz at Lohin Geduld

Burst, 2009

New work by painter Sara Lutz is going up at Lohin Geduld tommorow, and rather than noting the fact and tossing the release per my usual press release practice I wanted to share her work. Because of the gorgeous colors and textures of her oils, and because of the richness and playfulness of her work, I was hoping one of my lovely blog readers would go in my stead and report back with more images!

This is your mission should you choose to accept it.

Carlos Quintana

La cosa está mala 2008


Contemporary art in Cuba seems on one hand to be flourishing, with studios all over Havana asking you to come in and have a look at some brightly-colored, expressive paintings– all done rather skillfully. They start to look the same after a while. However, Carlos Quintana had a show up (in a proper gallery, no less) that really impressed me.

Quintana was born in Havana in 1966 and went to art school there. I found that he moved to Madrid, where he currently resides, in 1993. The large canvases with bright washes and splatters of color that he uses belie the darker undercurrent of his figures. In the work below, he slaps on paint in a manner more violent than cartoonish, and the size of the canvas (79 x 79 in.) can overwhelm. Yet the Senorita’s innocent expression and sea foam green dress add a wistfulness to the composition.

Senorita Elegante 2008

More, and better images of, his work on Artnet.