News from the Future in Dunaujvaros

At the Institute of Contemporary Art, Dunaújváros (ICA-D), a group exhibition by members of the Studio of Young Artist’s Association (SYAA) is currently up.  Arranged in thematic groups, one installation I was very intrigued by was “News From the Future” by Péter Szabó and Csaba Szentesi. The artist’s took artwork from the collection of ICA-D and arranged it as furniture, creating as close to a livable home as possible when you use paintings for a bed and sculpture for lightening. In this piece, artworks made in between 1989 and 2010 were used, including those of local artists, the younger generation of artists and internationally recognized Hungarian names. The premise of the work is to imagine a future time when a homeless person moves into a derelict building and must create a living space out of what is left behind.

This is not just a broad commentary on the utility of art. The ICA-D faces substantial funding problems from the local government, and may indeed shut down next year. So the future where this building may become derelict, at least in an a metaphorical sense, is perhaps not so far off. This is unfortunate in itself, but so is the question also raised here, about how the institution’s collection will be cared for and shown, if at all.

 

Legacy of the Trabant and other cars of Socialism


“Take them, please!” is part of the message from the above cartoon, part of a larger series seen at ArtMarket Budapest (sorry, I’m not sure whose work it is). And the relationship to the the Soviet-era tin cans that passed (and pass) for transportation is an ambivalent one of fondness and frustration. Perhaps that’s why they keep being thrown up, whole and entire, as contemporary sculptural pieces.

Simon Starling, Flaga, installation shot at the New Museum

These aren’t John Chamberlain’s crushed car part sculptures. Rather they preserve and put the entirety of the Socialist-era cars, known for their poor design, safety, and performance, on view in a way that seems to present then as beloved cultural objects as much as anything else. Czech artist David Černý had some fun with it with his sculpture ‘Quo vadis.’

David Czerny, Quo Vadis

Perhaps this Trabant, a car driven here in Hungary but also in the Czech Republic, runs better on legs.

HMC’s Library Thoughts 2

Detail, Traveler’s cup 2

This diverse collection of artwork, often related to book arts or Budapest, come from artists all over the world. The Hungarian Multicultural Center’s “Library Thoughts 2” is up at MAGYAR ÍRÓSZÖVETSÉG at Bajza utca 18 in Budapest through September 28. Relating to foreigners’ interactions and reactions to a city that is new to me as well, I enjoyed seeing how others interpreted their experiences. The photograph above shows a statue of St. Stephen (Istvan) on Fisherman’s Bastion, which is on the Buda hills overlooking the Danube and Pest, in the background.

Joo Yean Woo, Traveler’s cup (1, 2, and 3)

Joo Yean Woo’s photographs are meant to examine how the act of collecting can be a more creative process, documenting and archiving experience in a more personal way. Perhaps a good thing for me to be thinking about during my time here.

Xu Yun, Homage to Franz Liszt

Detail, Homage to Franz Liszt

Two other works I liked, Xu Yun’s installation and Marlene Alt’s series of Baroque medallions, responded to Budapest’s Baroque heritage. Homage to Franz Liszt hangs from an ornate chandelier. The transparent sheets feature Liszt’s music as well as the decorative emblem of Hungary, what might be thought of as quintessentially Hungarian symbols, while Alt’s blank clay tiles in different colors have their gilt rubbed off much the way buildings here show their age. They deal with a long artistic heritage, as the title Portraits, Nudes, Heaven, Earth suggests, and refer to the opulent frames that usually hold traditional works of art.

 

Marlene Alt, Portraits, Nudes, Heaven, Earth