Edna St. Vincent Millay’s (and my) bleak shore


I shall go back again to the bleak shore
And build a little shanty on the sand
In such a way that the extremest band
Of brittle seaweed shall escape my door
But by a yard or two; and nevermore
Shall I return to take you by the hand.


I shall be gone to what I understand,
And happier than I ever was before.
The love that stood a moment in your eyes,
The words that lay a moment on your tongue,
Are one with all that in a moment dies,
A little under-said and over-sung.


But I shall find the sullen rocks and skies
Unchanged from what they were when I was young.


Edna St. Vincent Millay’s sonnets remain favorites of mine for their dense, explosive quality that manage to retain such poise and attitude. On a bleak morning after rain, I woke up early and came to this deserted, rickity old platform to watch the clouds part. Millay’s words started running through my head. Remembering a line like “I will go back again to the bleak shore” is like finding a word on the tip of your tongue–it helps verbalize what I lack words for.

Full Fathom Five


Some mornings the island seems to belong more in the world of Shakespeare’s The Tempest than the present day Caribbean. I came upon an offering of sea riches from Caliban.


The beach, strewn with a multitude of coral, shells, and rocks, reminded me of Ariel’s song:

Full fathom five thy father lies:
Of his bones are coral made:
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.

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