Cindy Sherman: One Trick Pony?

That glorious thing, a MacArthur ‘genius’ grant, was awarded to photographer Cindy Sherman in 2005. As it’s only the beginning of 2009 now, she has this year to still enjoy the substantial prize money. But what does she do with it?

What’s she did before she won: dress up and photograph herself as other people, often women fulfilling cultural roles. Allow me to say, I like her body of work in general. She creates series of portraits as I described, as well as ‘film stills’ that aren’t film stills so much as portraits she shoots of herself. Sherman has dabbled in other projects as well, like video direction, but her art is mainly clever identity and gender politics photographs that are well-shot and fascinating. All the more intriguing when you recognize her face behind the makeup and costume.

Yet not endlessly intriguing. After years of portraits of herself as others, Sherman hasn’t really strayed, much less innovated. Some jokes aren’t as funny the tenth time around, some shticks get old. Sherman, who constantly reinvents herself in her work, has failed to reinvent the work itself. It makes me wonder if she didn’t merely happen on a successful trick of playing dress up and now can’t come up with (or is afraid to try) something new.

It’s easy to start out a genius, and it’s certainly possible to develop into a great artist bit by bit over a career of 30 years. It’s not always so easy to stay a genius.

Reflections of Mylar

Here we have me, Iphone photo taker extraordinaire, taking photo of Josephine Meckseper’s photograph on view at MoMA, with reflection of other huge print on facing wall.

Call me conceited, but I think it does more justice to the size and quality of her work than the MoMA’s exhibition images. She prints on mylar, which gives a viewer/viewee quality in its reflections of dull images of consumerism from a typical 1970s German catalog. Her work seems a little dated to me, both in the images she choose (quite purposefully dated on that account) and in the themes of consumerism, societal construct, and advertising effects on how we view ourselves.

MoMA is showcasing her work along with another photographers as noteworthy of 2008. Ah how quickly we pick favorites from the old year and move in. And I’m not over 2007 yet.

Feast or famine?

What would you guess is the answer to that question was, based on the image below?


Apparently, the answer is famine. I’m not sure if the WSJ puts forth the most compelling visual argument with this photograph for an article on American farming, Farming’s Sudden Feasts and Famines .

Not so arts-related a post, but certainly a valid question of visual literacy for you.