Category Archives: video

Rachel Clarke’s Digital Unmapping

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Currently up at the University of Georgia, Rachel Clarke’s Terra Incognita video provides a zen enticement into the gallery space at the Lamar Dodd School of Art as part of her show Unmapping . The video projects quite large on the far wall in front of a bench, and loops between a white unmapping and black mapping of sorts.

Terra Incognita from Rachel Clarke on Vimeo.

I heard the artist speak about the process of making this work, starting with real maps–American road maps–and digitizing them. Scanning their parts and lines into different parts in Photoshop, Clarke then animated their movement in a deconstructive process that then reverses in the second half of the film. The journey alluded to by maps becomes a transformed journey of movement through the layered lines and marks of maps. For Clarke what was equally important was the traces of the original map and scanning process in the final film, marks of the artist’s hand and materiality that ostensibly are lost in the digital medium.

[Note: I wish I knew why the video is displaying on the far left. Embedding videos in self-hosted WordPress, anyone?]

An Expanded Take on Film: Cinematic Scope at Georg Kargl, Vienna

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The exhibition “Cinematic Scope” at Georg Kargl brings together the work of 6 artists who take a broad view of film, its aesthetics and presentation, in their artistic practice. In the work on view, projectors themselves become part of the medium or hanging flat screens adopt sculptural status. Above and below are installation shots of Wolfgang Ploger’s Texas Loud Texas Proud, where 16 mm film features text of the last words of executed Texas prisoners, illegible as it is projected on the wall but readable on the silkscreened film.

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It highlights the mediation of information and the technology used with subject matter that is distinctly different. Rather than as medium, the projectors become important as sculptural objects with the film strips exaggerating this effect by stretching from floor to ceiling.

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Tobias Putih’s Pre-projection takes film to its most distinctly sculptural iteration in the show, as it uses an enormous black pyramid to funnel an image onto the curve of a spoon on the gallery floor.

Manuel Knapp uses computer animation to create geometric planes of space which move and overlap to create spaces that seem almost three-dimensional. In this video projected onto the wall of a dark room, “film” as such seems irrelevant. The graphics form a moving sculptural element.

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Construction/Dismantling by Andreas Fogarasi centers around a never-realized architectural project, the three films surveying a desolate construction site, a temporary carnival, and the sweeping of a street. The most contemporary and quiet presentation, doing away with calls of attention to the means of presentation, never the less floats the three staggered screens and their content, demanding a consideration of them as objects.

Friss (Fresh) 2012

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Arpad Szigeti, “Hungray”

Friss 2012, up at Kogart Haz on Andrassy until October 12, is an annual show of recent graduates here in Budapest, and as the show is named “Fresh” you can imagine its idea is to introduce new artists to the scene. This year new graduates from Switzerland were also included. There were some really lovely works, and I thought very internationally engaged, which the curators selected and organized around the theme of empathy/manipulation. This theme came with a warning from the curators: that no one was innocent. I can’t speak to that, but here are some of the works I found interesting and accomplished.

Otto Szabo, Ethnographic Research

Otto Szabo’s installation of an embroidered veil and photographs illustrate how Muslim head coverings became a part of traditional Hungarian folk costumes. The floating head in front of old photographs was an affecting and interesting visual object, and the research behind it fascinating. This installation lies more on the empathetic side of the continuum the curators set up.

Anna Gyurkovics, image from the photo series Papa

As does Anna Gyurkovics’s photography series Papa, which has a great quality of light, intimacy, and immediacy. More of the artist’s work is up on Flikr.

Zsofia Toth, Keretek

Zsofia Toth’s Keretek, or Frames, are large paintings that take on some of the traditions around the presentation of art. This speaks more to the manipulation side of the continuum.

Balint Radoczy, Still from video What We Are

Balint Radoczy‘s video installation, What We Are, shows detritus in the confluence of a particular bend of the Tiber, floating and circulating in an endless loop. The beautiful colors of the trash belies their worthless, even dirty, state.

David Siepert, image from Censored Dresses

From the Swiss contingent, David Siepert took advertisements from magazines where flesh had been covered over. Then he hired people to remake the conservative dresses, turning Muslim attitudes toward showing flesh into real clothes that didn’t previously exist and showed them in a fashion show and with photographic evidence. His well-executed project, like Szabo’s in that it puts cultural norms in the spotlight, brings  an anthropological approach to culture together with both empathy and manipulation.