Tag Archives: censorship

Hungary: A cultural scene in a state of crisis

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“The situation is desperate, but not serious” is the final sentence of this excellent New Yorker article detailing responses to the growing neo-Facist political control of Hungarian culture; For example, Nobel laureate Imre Kertesz–whose most famous novel is a semi-autobiographical account of surviving Auchwitz– had decided to give his archives to Germany instead of the land of his birth, Hungary:

January 8, 2013

THE FRIGHTENING HUNGARIAN CRACKDOWN

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In November, 2012, the Nobel prize-winning novelist Imre Kertész announced his retirement. The writer, who as a fourteen year-old was transported to Auschwitz, has become one of Europe’s most eloquent and respected literary witnesses to the Holocaust. In books such as “Fateless” and “Kaddish for an Unborn Child,” he has made the paradoxical case that “the concentration camp is imaginable only and exclusively as literature, never as reality—not even—or rather least of all—when we have directly experienced it.” Since his working life has been devoted to this act of imagination, his decision to house his archive not in his native Hungary but, rather, in Germany appears to be a profound gesture of reconciliation. Yet, when I said so on Twitter, a Hungarian writer friend e-mailed to tell me that Kertész’s decision was also driven by more negative concerns:

I’m afraid there is something more to it: he has also good reasons to believe that in Hungary his legacy wouldn’t be treated with as much respect as in Germany, as he is regarded by the current political elite as an “unHungarian” and then I’ve been euphemistic. For example, currently his work is not part of the Hungarian national education programme, due to some changes in school material in which, at the same time, three famously antisemitic writers have been included.

My friend has asked to remain anonymous, as he fears that if he is publicly identified as a critic of the government it could cause problems for him and the company where he works. His fears appear to be well founded. Across Hungary, the cultural scene is in a state of crisis.

 

Internet Censorship and Gangnam Style

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First, there was Gangnam Style by PSY, a Pop song celebrating/lampooning a wealthy South Korean lifestyle. It is absurd, catchy, and quickly became an international sensation. Then Chinese artist and activist Ai Weiwei did a parody of this already ridiculous video. Except when he mimics the dancing of the original video, he occasionally adds handcuffs.

Anish Kapoor, bringing in other art world influentials, felt compelled to make another Gangnam Style parody in support of Ai Weiwei. Museums, galleries, and others such as MoMA and Sepertine Gallery have all joined in contributing a video clip as a gesture of support for the artist who has notoriously battled with Chinese authorities over making and showing his art. And it is awesome.

http://www.youtube.com/watch?v=tcjFzmWLEdQ 

Hopefully it will be spread the message of the need for human rights and freedom of expression in China. (And not just China, as you can see in the video, the wall also has a Pussy Riot tag among others.) Internet censorship is one of the issues that Ai Weiwei combats, managing to effectively skirt “the Great Firewall.” Check out Ai Weiwei’s Youtube channel for more insight into a complex and radically different world, such as this video.

However, it isn’t as simple as pointing a finger at China.

The Google Blog just released the most recent transparency report with statistics showing governmental requests for user data and how the number has steadily risen. Russia, formerly quite open, has begun to take measures limiting internet freedom in the manner of China, according to this Economist article. And the New York Times published a fascinating opinion piece last week about how it is not only active government censorship impacts people’s access to the internet, but also supposedly liberal corporations who now dominate our experience of the internet, like Google, through the conservatively geared algorithms they use to direct search engine traffic. This invisible and pervasive force also shapes our experience of the web, and thus our culture.