A Redifined Existence at J. Cacciola Gallery

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The post about this show, which closed July 26, has been sitting in my drafts folder, but for lack of time rather than lack of things to say. The works of China Marks, Rick Newton, and Sally Curcio, interesting in their own right, were placed in thoughtful, playful dialogue with each other in the show A Redefined Existence at the J. Cacciola Gallery in Chelsea.

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Rick Newton’s clean-lined paintings register as normal at first, only to be belied with a touch of the surreal. The realistic rendering and precision of his painting style lends a cold edge to the combination of rationality represented by technological advanced vehicles and weapons and the irrationality of the blank background and details like the reaching claw in the painting above.

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Sally Curcio creates miniature worlds in the series on view. Her clean edges come from the re-purposing of plastic products to create cheerful, sweet worlds encased in glass bubbles. No less fantastical, and perhaps more accessible and inviting to the touch, are the sewn panels by China Marks. Marks creates scenes with characters and words that just stop just short of narrative.

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Overlaid with embroidery and different fabrics, the fabric panels recall the set up of cartoon panels but also the history of the craft of sewing and embroidery samplers. I read many of them as having a dark, slightly uneasy quality, like in the dialogue below. But open-ended as they are, it up to the viewer whether such statements are unsettling or funny.

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Claudia Wieser: The Mirror

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Words cannot tell how much I enjoyed this show, so I am posting all my pictures of Claudia Wieser’s show at Marianne Boesky gallery that ended recently. The Berlin artist’s work reminded me of the mystic side of this year’s Central Pavilion at the Venice Biennale, which opened with a darkened round space of Carl Jung’s Red Book drawings that journeyed deep into the psychoanalyst’s subconscious. Yet The Mirror contains itself in structured geometric forms, and a seemingly endless chain of art historical references whose multiplicity is reinforced by the patterned mirrors.

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The mirrors, prints, tapestries, and leaning wood elements, taken to the height of wallpaper, enforced through their flatness the artificial construction of the space even as they beguile the viewer. The size contrasts with the small drawings on paper aligned in rows on the wall. The artist cites the influence of Kandinsky and Klee, which is apparent, and takes her title from Tarkovsky’s film, which shares a dreamlike sense of non-linear time.

Per usual lately, I’m posting this after the show has already closed…but otherwise I would definitely recommend checking it out.

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Nalini Malani’s In Search of Vanished Blood at Galerie Lelong, Chelsea

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InuSearch of Vanished Blood contains video and sound as well as a shadow play created by five suspended Mylar cylinders to tell an overlaid narrative of multiple parts, rather like a collage. Malani is a pioneering female Indian artist who showed this work at last summer’s dOCUMENTA in Kassel. There’s a lot going on, but this video clip gives you some sense of the effect and environment. Up through Saturday!

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