Ravels in Review Friday (already!)


Has another week really passed? It seems so here in Art Ravel’s land, which has been hopefully busy despite a recurrence of hangovers.

Reasons to be hopeful:

1) Spring has returned to Manhattan and gallery hopping can commence again, as I document here. Sure, in between then and now we had some freezing days, but a thaw is coming. *Could also be a reason to be hungover.

2) YouTube’s content gets more fun by the minute. See Richard Serra shovel Vaseline under Mathew Barney’s direction. Not to be missed.

3) A new play by Moises Kaufman shows us how to make time stand still, in addition to its other good qualities.

4) In another exorbitant claim, a man has discovered the secret of beauty. *Could also be a reason to be hungover.

5)I said goodbye to Culture Pundits, and hello to cool art magazines.

6) Asking questions about Kara Walker, rather than critique, in a further positive, hopeful effort.

And so what do I think sums up this week, its hopes, its hangovers?

Lobsters, obviously. Why? Ask the Surrealists, or read Signs of Spring.

Farewell Culture Pundits

And if forever, fare thee well!

Perhaps you noticed a lack of attractive advertising above this post, like the one that led me to artist Tara Giannini. Unfortunately, all good things must come to an end. Culture Pundits, that nice ad network, and I are no more. It’s not Culture Pundits, it’s me, there just wasn’t enough clicking…no doubt you’ve heard this before. You know, the conversation that started with, ‘We need to talk…’

Or perhaps you haven’t! Don’t get your feathers ruffled. There’s no reason anyone would ever say that to you, erm, I mean, your blog. It’s not personal. Remember, the sun’ll come out tomorrow. You’ve still got me, babe.

And I-iii-i will always lo-ove yo-ooooooooooooooooouuuuu!

Serendipitous Ads and artist Tara Giannini

Good advertising brings your attention to things you want to know. One day I looked up at the top of my blog, and saw an ‘ad’ I immediately liked. It was a detail of the work above. You see, I belong to Culture Pundits, a network of art blogs and artists who display ads related to the arts (and for some reason Tekserve). Serendipity! I can’t think of the last time an ad showed me anything of interest, much less introduced me to a new artist.

Idiotically, I did not click on the ad. So I had to do some sleuthing to find artist Tara Giannini‘s website and more of her intricate, layered panels. I can’t decide if they would fit better in a Regency mansion or creepy junkshop. Apparently, the artist had something similar in mind, stating that she tries to find the line between ugliness and beauty.

Based in Brooklyn, Giannini describes her work as exploring “the implications, limitations and individual perceptions of taste, beauty and excess in both art and culture, while simultaneously exploring my interests in overindulgence, visual complexity and ornamentation. It is a romantic and celebratory exploration into personal ideals of the beautiful, and the play that exists between the natural and the artificial.”
I love the thickness of the paint and lushness of the materials. While these works don’t quite have that creepy air of Victorian dolls, Giannini takes the same neo-Baroque, over the top aesthetic and pushes it until it’s on the cusp of breaking down. It’s interesting and sensual in an unpleasant way.

This kind of detailed, 3D works is better appreciated in person, especially for grasping scale, but sometimes you just know you like something, right?