Tag Archives: DCKT Contemporary

Still Life & Motion at DCKT Contemporary

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Bouquet, Everest Hall, 2011

Still Life and Motion: Everest Hall and Sean Capone opened Thursday night on the LES DCKT Contemporary gallery, and alltogether made for a nice, small show that speaks to a very contemporary way of handling the age-old still life genre. Everest Hall provides the still lifes of the exhibition’s title, with roses on rather geometric  backgrounds that seem paper-thin, fragile, and false. Sean Capone provides the motion, showing roses and other flowers exploding and fading out like a kaleidoscope setting for a flat screen. The works complimented each other nicely, but Hall’s work seemed the weaker part of the show. 

Still from Sub Rosa (What We Do Is Secret), Sean Capone, 2009
Capone’s two video installations were fascinated to watch as they played on an endless loop. I was also very intrigued by the sales premise behind them. Literally a few minutes after complaining to a friend about how I can’t afford any of the artwork I see, I looked at the price list and saw the videos being sold as a file on a USB drive for $125, and that they artist had limited the editions to 100. The artist created his own principle of scarcity that was really interesting, and I could certainly dig projecting those patterns onto my living room wall 24/7. I was also really impressed and interested by the site-specific installations he had created in the past. In fact, they are amazing: see here. 

FloralWall (Skull & Void #3), Sean Capone, 2010

Parade of the Bearded Man, or my walk to dinner Friday night took an unexpected turn

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First they popped across my view on the Bowery. I heard the Mariachi’s cheerful music before I saw the parade leader, neon blue coyote shining from his large paper-mache head.

Then I saw his followers, sporting real and fake beards, carrying  white banners behind him, all bearing the sign of the bearded man. I walked with them up Bowery, east on Houston, and then a bit down Eldridge Street where they began to crowd into a gallery.

Thanks to the wonder that is the internet, I have since learned that the gallery was DCKT Contemporary, the artist was Irvin Morazan, and that is was actually a coyote procession. I stand corrected.

The exhibition itself is called “Temple of the Bearded Man.” I can’t speak for the rest of it, but the parade was good fun, even though I don’t know what happened with the whip cream at the end. A birthday dinner called.