Tag Archives: Haitian art

Unesco says Ban Haitian Art

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From News24, word the Unesco is requesting a temporary ban on the sale of Haitian art, part of an effort to prevent looting.

“Unesco director general Irina Bokova has asked international forces in Haiti to ensure the security of museums and other buildings containing artefacts, a statement said.

‘It is important to prevent treasure hunters from rifling through the rubble of the numerous cultural landmarks that collapsed in the earthquake,’ said the United Nations Educational Scientific and Cultural Organisation.

Bokova was also taking steps to encourage the art market and museum professionals to verify the origin of cultural property up for sale, especially on the internet.”

Aftermath: Haitian Art

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Lately I happened to have been reading about Haitian Art, which gives me a familiarity when I read about the destruction the earthquake caused the nation’s art treasures, in particular the Centre d’Art in Port-au-Prince. It was the beginning of many artists, such as Hector Hippolyte, and the means by which many artists gained worldwide recognition.


As with most of the city, the Centre d’Art has been largely destroyed. However, it pains me to see these matters discussed as widely as they are being discussed. It’s too soon. While many artworks have not survived, neither have some artists, a representative subset of a much larger population. Column inches and relief efforts should be directed toward the people. I hope help goes to where it is needed most.

Hector Hippolyte

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Henry Christophe

Hippolyte’s paintings and life are in many ways indicative of primitive Haitian art. They combine voodoo and Christian symbols, and are noted for creating an iconography for laos, or spirits, of the voodoo tradition. As a third generation priest, Hippolyte (1894-1948) worked in his community and eked out a living painting houses. Then DeWitt Peters, an American from the Centre d’Art in Porte au Prince, saw a pair of doors with intricate floral patterns that he had painted on a bar. He tracked Hippolyte down and asked him to come work in the city.

Papa Zaca

Hippolyte immediately accepted. He believed it was his destiny to become a painter, and he had been waiting for it to unfold. He moved to a cottage outside Port au Prince in 1945. His work was an immediate commercial success and made it big internationally when it was collected and shown by French surrealist Andre Breton. Hippolyte thus also represents the highly commercialized side of “naive” or primitive Haitian artists which has continued to this day. Hippolyte was highly prolific for the next 3 years, until he suddenly died. It is reported to have been a heart attack, although some think the division between his voodoo duties and his artistic ones overwhelmed him as he began painting more and more.

Saint Francis and Christ Child

Above is Hippolyte’s painting of Saint Francis, and below is his depiction of Mistress Erzulie, the voodoo spirit of courtesy. In depicting both the Christian and voodoo persona, Hippolyte treats the subject in the same manner. The focus is on the strong central figure surrounded by a lush, brightly colored natural world. It’s fascinating learning about his life and his art, especially how voodoo influenced his art, but there are few online resources. More information about his life and his works here.

Maitresse Erzulie