Color Redux

A run down of great links on color, what it is and how we see it as well as how other species perceive it, how our perception has changed historically, and what we could see in the future:

  • Secondly, two articles that borrow heavily from the Radiolab episode but goes on to address how naming colors impacts our ability to see them in more detail: here and here.
  • Thirdly, a TED Talk by an artist who has never seen color but, thanks to a device he has created, can now hear it: here.

And I’ll throw in some of my own posts to round things off:

RGB Colorspace Atlas by Tara Auerbach and Mantis Shrimp
http://artsravel.blogspot.com/2012/07/rgb-colorspace-atlas-and-mantis-shrimp.html
Making Color: about Victoria Finlay’s history of color
http://artsravel.blogspot.com/2011/12/color.html
Celadon Talking Jars
http://artsravel.blogspot.com/2011/12/celadon-talking-jars.html
Black’s historical uses
http://artsravel.blogspot.com/2011/12/back-to-black.html
based on ARTNews’s article
http://www.artnews.com/2011/11/24/the-color-that-wasn%E2%80%99t-a-color/
The making of red, orange, and yellow
http://artsravel.blogspot.com/2011/12/red-orange-yellow.html

Red, Orange, Yellow

RED

A new red from the new world once took Europe by storm, as countries vied to find the secret to this mysetrious dye from the Spanish colonies. They did not guess for a long time that it came from cochineals, little white bugs on pirckly pear cacti. These charming little bugs still color nearly everything consumable and red: lipstick, Cherry Coke, etc. Yum.

ORANGE

Orange madder are long roots that burrow deep in the ground, so much so that in Holland there were laws forcing farms to pull up their madder every few years lest it burrow into the dyke. The mysterious ingredient that created the beautfiul orange varnish of Stradavarious violins has long excited speculation.

Not purple, but YELLOW

Fields of purple crocuses create saffron, an expensive golden yellow, first produced by drying the crimson red stamen of the perennial autumn crocus flower. Now most saffron grows in Iran, but once a small, punny town in England grew saffron in the Middle Ages: Saffron Walden. Their coat-of-arms features a crocus… walled in.

All these fun facts come from Color: A Natural History of the Palette by Victoria Finlay. One more fun fact: Minium, which was the name for white lead heated turns until it turned “minium” red, was a popular color with Persian, Ottoman, and Indian artists in Medieval times. Their work then became known as “miniatures,” which only more recently referenced size.

Back to Black

Martin Luther, Workshop of Lucas Cranach the Elder

“…black really came into its own with the Reformation, whose leaders and artists led a full-fledged revolt against the pomp and display of the Catholic Church. Martin Luther is generally depicted in the most sober of blacks, while the era’s painters began to favor tenebrous colors in even their most dramatic compositions.”
-From “The Color that Wasn’t a Color” article in ARTnews reviewing Black: The History of a Color