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“The search for The List in the corridors of the Louvre was as exciting as hunting the unicorn. Painting has a beauty that is born of accumulation; art embodies the plurality and variety of reality in the limits of the form. From Antiquity down to the 19th century we have been prisoners of the picture frame; in painting, the frame tells us that ‘everything’ we should be interested in is inside it. I want to invite people to go beyond the form of the physical limits of the picture, to imagine the etcetera, a very important concept that suggests that it may continue. I want to invite people when they look, for example, at the Mona Lisa to go beyond what is most obvious and to observe the background landscape and wonder whether it extends into infinity—something that Da Vinci perhaps intended. To look at a picture as if we had a movie camera that would do a travelling shot to show us the rest.”