Jean-Michel Basquiat at Film Forum

For once a press release was sent to me that was topical and handy. Via my inbox, this was from Gagosian yesterday:

Gagosian Gallery

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JEAN-MCHEL BASQUIAT: THE RADIANT CHILD
PRODUCED and DIRECTED BY TAMRA DAVIS

Wednesday, July 21 – Tuesday, August 3 • Two Weeks
Showtimes: 1:15, 3:15, 6:00, 8:00, 10:00 • Tickets available online beginnning July 14

“Tamra Davis creates a dazzling sense of the ’80s New York art scene.”
– Caryn James, Newsweek

The meteoric rise and fall of Jean-Michel Basquiat, born 1960. In the crime-ridden NYC of the 1970s, he covers the city with the graffiti tag SAMO. In 1981 he puts paint on canvas for the first time, and by 1983 he is an artist with “rock star status.” In 1985 he and Andy Warhol become close friends and painting collaborators, but they part ways and Warhol dies suddenly in 1987. Basquiat’s heroin addiction worsens, and he dies of an overdose in 1988. The artist was 25 years old at the height of his career, and today his canvases sell for more than a million dollars. With compassion and insight, Tamra Davis details the mysteries that surround this charismatic young man, an artist of enormous talent whose fortunes mirrored the rollercoaster quality of the downtown scene he seemed to embody.

USA • 2010 • 90 MINS. • ARTHOUSE FILMS

• Q & A with Director Tamra Davis after the 8:00 show on Wednesday, July 21st and Thursday July 22nd
•Q&A with Fab 5 Freddy to follow the 8:00 show on Friday, July 23rd

To purchase tickets online: Film Forum | Box Office

Just in case you’ve developed a similar fascination with the odd cast of characters I wrote about yesterday.

OUCH


See how stringent our security regulations in airports have become. (Thank goodness my Iphone takes pictures, otherwise my family would never have believed me.)

In other news, Easy Virtue is a better play than movie, at least in its most recent rendition. Hitchcock made an 1928 version of Noel Coward’s play–

Excuse me, I seem to have burned the inside of my hand showing my mom how to use her nifty new teapot. If anyone is familiar with glass teapots where you put the loose-leaf tea down a well in the center, and then press a button to open the inside of the teapot up to the hot water outside, let me know.

We’re a little confused down here as to how you are supposed to keep holding the button down. (Over the palm of your hand is incorrect.)

That Girl With a Pearl Earring

Jan Vermeer, Girl with a Pearl Earring, 1662

Remember her? I know you know her, if only from that beautifully still 2003 film Girl with a Pearl Earring starring the beautiful Colin Firth and Scarlett Johansson. Tracey Chevalier also wrote a light novel of that name. Why nobody could think up another title, I don’t know.

But as my lovely avidly artsy readers are aware, both movie and book springboard off the gorgeous portrait above, whose subject is as enigmatic as the Mona Lisa despite the touching intimacy with which she is portrayed.

Most people think of her when they think of Jan Vermeer, that moderately successful Dutch provincial whose interior scenes are infused with incredible light. They think of women near windows or reading letters. Within his works exists an intangible beauty that is not rooted in the woman or her pose or the room but in the quality of the painting that makes me assume that Vermeer had a beautiful mind and painted his simple genre scenes with great love.

So imagine my surprise when I found that the Rijksmuseum listed the painting below as a Vermeer. Referred to as The Little Street, this painting from 1658 is the only outdoor scenes by Vermeer. On second thought, it looks exactly like what Vermeer would paint if he painted the outdoors. A quiet little street with women and children happily employed. His version of the everyday is full of peace and light.