Ravels in Review Friday (already!)


Has another week really passed? It seems so here in Art Ravel’s land, which has been hopefully busy despite a recurrence of hangovers.

Reasons to be hopeful:

1) Spring has returned to Manhattan and gallery hopping can commence again, as I document here. Sure, in between then and now we had some freezing days, but a thaw is coming. *Could also be a reason to be hungover.

2) YouTube’s content gets more fun by the minute. See Richard Serra shovel Vaseline under Mathew Barney’s direction. Not to be missed.

3) A new play by Moises Kaufman shows us how to make time stand still, in addition to its other good qualities.

4) In another exorbitant claim, a man has discovered the secret of beauty. *Could also be a reason to be hungover.

5)I said goodbye to Culture Pundits, and hello to cool art magazines.

6) Asking questions about Kara Walker, rather than critique, in a further positive, hopeful effort.

And so what do I think sums up this week, its hopes, its hangovers?

Lobsters, obviously. Why? Ask the Surrealists, or read Signs of Spring.

Ravels in Review Friday

Maybe it was the confluence of Friday the 13th and Valentine’s Day, but posts this week veered from sweetly feminine to strongly feminist. Or maybe it was the full moon and hormones. You be the judge.

We went from (egads!) love poems, to an art salon, which, by the way, proved to be quite enjoyable, to a mini-bio of portrait painter Louise-Elisabeth Vigee-Le Brun, who success at the turn of the 19th c. was unprecedented. From Le Brun’s Rococo paintings of women in big hats, we skipped forward in time to a fashion week rif, in which some new designs looked rather like Le Brun’s paintings, and all this led to the feminist ‘fabrics’ of painter Nancy Friedmann.

In a gender-neutral moment, I wrote yesterday about BECA‘s program for emerging artists and how they are supporting it with this amazing $5 raffle. It’s a great prize for a good cause, so check it out.

What’s next on the agenda? Possibly some L.E.S. gallery reporting and a theater review. Stay tuned.

Ravels in Review Friday

You! No—It’s too late now. I’ve seen you, and now you have a chance to see the workings on a highly critical (or is it high and critical?) mind at work. Read on, for my ravels in review of this week.

There was an artist toeing the line between beautiful and ugly that I discovered through an add, Club Guggenheim did not rock, insight into where to get your art gossip, Reena Spualings confirmed not a fake by said art gossip, and yoga invaded MoMA. Whew–what a busy week!

But most particularly, read my post on painter Marlene Dumas’s retrospective now at MoMA here in New York. This artist is generating reactions that range from rave (LA Times) to snide (he at New York Magazine who shall remain nameless ) to “warm” (New York Times) to tentative (mine). What do you think of her work? Why does she create such ambivalence?