Standing In: Me and Pistoletto’s Standing Couple

Michaelangelo Pistoletto, Standing Man, Standing Woman with Hat, 1980

The contagion of self-portraiture carried on, from the mirrors of the Kiki Smith exhibition (reviewed here) to the mirrors of the contemporary art galleries at the Brooklyn Museum of Art. Pistoletto’s two figures on mirror seem to be facing me and the red wall installation behind me. It looks like we are carrying on an awkward conversation, perhaps because I am in color while they are stuck in black and white.

If one is going to look at art, and think about art, and write about art, after a bit shouldn’t that person join the art? Oscar Wilde said that “One should either be a work of art, or wear a work of art.” Surely with a little smoke and mirrors, or maybe just mirrors, I can get past this silly division of art and life and do both.
“All that I desire to point out is the general principle that life imitates art far more than art imitates life.” –Oscar Wilde 

Cecilia Paredes’s Faces in the Wallpaper

Art Noveau, 2009 and left, Chrysanthemum, 2009


These photographs by Cecilia Paredes trick the eye by seeming to be floral wallpaper, then encourage a deeper look when you realize a person is there. The Peruvian artist paints and photographs herself to blend into her linen backdrops. Paredes states,

“I wrap, cover or paint my body with the same pattern of the material and ‘re–present’ myself as part of that landscape. Through this act, I am working on the theme of building my own identification with the entourage or part of the world where I live or where I feel I can call home. My bio has been described as nomadic so maybe this is also a need of addressing the process of constant relocation. There is also the factor in my mind that flora as we know it, is coming to be endangered so with all these preoccupations, I think that in these works, aesthetics bind with the anthropologic in order to register fragments of personal and social memory.”

To me, it speaks of women’s decorative role in society, their being told to be quiet and blend in, and here the artist blends with disquieting force.

Nocturne, 2009