I love her spiders: Louise Bourgeois

I do love her spiders and I love the personality that worked right up to all of 98 years old. May we all be inspired to keep working for so long. It had me digging through the archives for my trip to Dia:Beacon last year.

Louise Bourgeois’ Spiders

Wednesday, January 28, 2009

“My work has always been a recording of my emotions. It’s not a concept that I’m after, but an emotion that I want to keep or destroy. All of my sculptures have the sense of vulnerability and fragility. Sexuality is one theme tied to those two states of being.” –Bourgeois, 2006 interview

Continued here.

Louise Bourgeois’ Spiders

“My work has always been a recording of my emotions. It’s not a concept that I’m after, but an emotion that I want to keep or destroy. All of my sculptures have the sense of vulnerability and fragility. Sexuality is one theme tied to those two states of being.” –Bourgeois, 2006 interview


Bourgeois, 97, still lives and works in New York City. Her spider, shown above, was there on my visit to Dia:Beacon. It fuses metal plates together in a way that suggests contained energy and torque. Balancing that strength, the heavy body rests on pins that end in sharp points. It’s a fragile stasis. In Dia’s small space, I was torn by the desire to examine it and nervousness that the spider would jump!



Despite the delicacy of the legs, these spiders seem less vulnerable than threatening. Spiders, such as the ones pictured above, have been a part of her work for many years. Even placed in an outdoor setting, they look as natural and harmless as Godzilla. They are fascinating works that draw you in even as they unnerve you.

Does anyone know more about why Bourgeois uses this spider motif?