do it: Taking the Global Local

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I’m excited to get the ball rolling on a few projects for Fall, one of which is an exhibition that art history PhD student Brooke Leeton and I will be curating at the Lamar Dodd School of Art entitled Let’s do it UGA. We recently created a website for the project at www.letsdoituga.wordpress.com.

do it is a curatorial project begun by Hans Ulrich Obrist based on a simple proposition: “Create an instruction that someone else can use to make an artwork.” (More about that on e-flux’s project website.) In “Let’s do it UGA,” graduate students select different sets of do it instructions that form the basis of works of art. Instruction-based art privileges themes of variation, copy and authenticity, and play and experimentation, resulting in a work of art unconcerned with ownership or style. Instead, what drives the exhibition is the act of interpretation.

Brooke and I have enjoyed preparing the framework for the exhibition, but most of all we are excited to see what it will look like when it opens October 17. Because the artists are working from different sets of instructions that changes how they normally work, rather than us selecting objects or artist’s who work we are familiar with, the end result is a surprise. The only performance we can predict is one we will do ourselves, on the opening night of the reception. Following Amalia Pica’s instructions Throw A Party (2012), Brooke and I will end our night sweeping confetti evenly against one wall.

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Interview with Regina Rex up on Burnaway

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An interview I did with artist Anna Schachte is up at Burnaway Magazine. Anna is a member of the 12-person curatorial collective Regina Rex, located in Brooklyn. She has a lot of fascinating insights into the dynamics of that, and we also discuss how the group curated themselves in an exhibition up at The University of Georgia’s Gallery 307 currently.

Check out the interview here.

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Rachel Clarke’s Digital Unmapping

Currently up at the University of Georgia, Rachel Clarke’s Terra Incognita video provides a zen enticement into the gallery space at the Lamar Dodd School of Art as part of her show Unmapping . The video projects quite large on the far wall in front of a bench, and loops between a white unmapping and black mapping of sorts.

Terra Incognita from Rachel Clarke on Vimeo.

I heard the artist speak about the process of making this work, starting with real maps–American road maps–and digitizing them. Scanning their parts and lines into different parts in Photoshop, Clarke then animated their movement in a deconstructive process that then reverses in the second half of the film. The journey alluded to by maps becomes a transformed journey of movement through the layered lines and marks of maps. For Clarke what was equally important was the traces of the original map and scanning process in the final film, marks of the artist’s hand and materiality that ostensibly are lost in the digital medium.

[Note: I wish I knew why the video is displaying on the far left. Embedding videos in self-hosted WordPress, anyone?]