Public play: Butterfly money

“Public play” was called for: asking people to step into this booth for 2 minutes of floating butterflies blowing around at GE Galeria, Monterrey Mexico, by Erika Harrsch. This neat and, yes, playful exhibition was probably the most engaging work at Volta art fair.

In an on trend moment, the butterflies (which) I thought were made of trash) are made of currency. Currency appearing folded, printed on, or painted all over the fairs.

NYC Art Fairs Open Tomorrow

You can find me here for the next few days, trying to manage the art overload with coffee and cupcakes…

The Armory Show
Pier 94
Twelfth Ave. at 55th St.
3/3-6 

Pulse
Metropolitan Pavilion
125 W. 18th St.
3/3-6 

Scope
320 West Street
3/4-7 

Volta
7W
7 W. 34th St.
3/3-6 

Independent
Dia Center for the Arts
548 W. 22nd St.
3/3-6

These are my favorite shows (with the exception of the Armory, which is a must but really too much to be an enjoyment). What are your favorites? Anybody want to meet me out for a coffee and show?

No ‘Eye’: Clay Ketter’s Gulf Coast Slabs

I missed the proverbial boat. Yep. I went on about how great Clay Ketter’s work is yesterday, and payed special attention to his most recent work, called Gulf Coast Slabs. These large-format photographs from the air of post-Katrina building foundations are still beautiful, and I would still love to see them in person. In fact, I could have.

As it happens, Ketter’s work was at the Volta art fair NY. I was at Volta, they were at Volta. (And I was disappointed in the offerings there.) Granted, art fairs make for a hectic sensory overload that could have clouded my judgement, but even so I think my ‘eye’ isn’t quite up to par. I’ve been reading The Art Dealers, a book profiling important American art dealers, and they all talk about having a “good eye” and being able to see things before other people do. I can’t even see what’s in front of my face! Guess I need to rule out art dealer as a career path.

Anyhow, some more beautiful images for you.