Where I Want to Be: Ludwig Museum, Budapest, Hungary

Budapest is looking lovely this time of year, despite the Danube rising over its banks and causing minor flooding in the city. My 4th of July plans don’t really have room for a trip to Budapest, but if they did, I’d go to the Ludwig Museum. The Ludwig Museum of Contemporary Art will be open until midnight on July 3 and 4. A night at the museum is always fun, and a night at the museum in Budapest during a warm summer sounds especially pleasant.

On these late nights, the Ludwig Museum will be showing films by Anton Corbijn to complement the photography exhibition of his work that focuses on rock and roll idols, documenting them, and in a later series trying to become them, rather like Cindy Sherman’s transformations.
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I have been- ahem– slightly focused on Hungarian art of late, and it just so happens the Ludwig Museum is displaying the largest amount of its permanent collection since its inception in 1991. How the collection came to be is an interesting story in itself: collector Peter Ludwig was a German tycoon with a passion for collecting art. In an obituary, The Independent described him as “either the most selfless and discriminating art collector of the late 20th century or a self- aggrandising amasser of objects which he regarded as bargaining counters in a relentless pursuit of honours and distinction in his native Germany and abroad.”
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Hommage à Dezső Korniss by Nadler, left, and Faces from the Square by Feher, right

Either way, Peter Ludwig created one of the largest collections in private hands, and turned over much of it to found museums in Cologne and Budapest, among other things. Because of his extraordinary donation, 200 excellent works of the 20th C. out of 300 in the Ludwig Museum’s show are from Ludwig’s original collection. The Warhols, Lichtensteins and Oldenbergs are complemented by works by Hungarian artists such as Keserü, Nádler and Feher.

Doesn’t it just look like fun? A night at the museum, a little rock and roll, a solid permanent collection of Hungarian and International art, and the story of an eccentric collector…

Where I Want to Be: Moderna Museet, Stockholm, Sweden

It’s summer, which should be full of travel, the Venice Biennial just passed, and my eyes are looking abroad to see where I would like to be for some art viewing.

Where I Want to Be #1: Stockholm’s Moderna Museet

Sure, the low, long building with its whimsical outdoor structures perhaps looks a bit dated and much like any other museum. But the Moderna Museet has been known for legendary shows (solo exhibitions of Claes Oldenburg, Andy Warhol and Edward Kienholz in the 1960s; “5 New York Evenings” in 1964 with Robert Rauschenberg, John Cage, David Tudor, Yvonne Rainer, Öyvind Fahlström, Merce Cunningham) under Director Pontus Hulten. It’s currently putting up what looks to be another great show, and one I’d love to see: a Clay Ketter retrospective.

Clay Ketter Retrospective, 30 May – 16 August 2009
“Clay Ketter was first acknowledged for his Wall Paintings (1992-99), plasterboards with spackle over screws and joints. They were both strikingly beautiful abstract paintings and a sort of fabricated ready-mades, less finished than the wall they were hung on. Trace Paintings (1995-) is another series of paintings that resemble wall surfaces being redecorated. Traces of wallpaper, shelves and electric wiring evoke a sense of uncertainty in the onlooker as to whether this is a real wall or a painting of a wall.”

I wasn’t familiar with Ketter’s work until I saw it on the Moderna Museet’s website. I love it when I discover an artist who just does really beautiful work! As it happens, the artist is with the same gallery, Sonnabend, that Hulten bought a very important Warhol from in the 60s. Small world, or things coming back around?

The image above is from Ketter’s latest series, Gulf Coast Slabs, taken when the artist travelled with a photographer to Louisiana post-Katrina. Ketter has lived in Sweden for the past twenty years and is considered a Nordic artist, but is American. The image is actually an ariel view of house foundations. Ketter’s work is a beautiful balance of material and painting, of abstraction and the real. There’s a Minimalist aesthetic to his works that makes his ready-made objects poetic. Ah well, I can at least dream of travelling.

Not to mention, if you do happen to be in the area, it makes for a lovely afternoon to stroll past the National Gallery and bridge over to Skeppsholmen where the Moderna Museet is, surronded by museums and park space. Swedish summer days are cool, especially beneath the trees, and just on the other side of the bridge is a coffee stand with strong black coffee, cinnamon buns, and, of course, ice cream.