Coming up Roses: Will Ryman at Marlborough Gallery

Ah, the purity of roses in the sunlight! I can almost smell the scent wafting over me. But is that a cigarette butt I see at the bottom of the stem? Oh yes, it is. It seems things are not all peachy keen in Will Ryman’s oversized hyperbolic rose garden. Up at Marlborough Gallery in Chelsea through October 10, these sculptures by Ryman are well worth a wander through this quasi-fairy tale world, if only for the fun of it.

Some signs of garbage and bugs might about, but all the same the rose garden strikes a happily note. How can you argue with ballet pink and Venetian red? The bugs are kind of cute, even the bag of Wise potato chips and the crushed Starbucks cup seem colorful and cheery.

The artist was trying to create a rodent’s perspective on a NYC rose garden, which I have to say makes the experience almost too literal to be interesting. Walking through the clusters of roses makes you aware of their overwhelming stature and it increases your sense of being in some kind of wonderland. One can only think the black aphids and cigarette butts are meant to disturb that experience. It misses that mark, but maybe it is supposed to be more ambiguous than that. Entitled A New Beginning, perhaps this installation is meant to be hopeful.

What do you think?

Mark Bradford, Artist and (ahem) Genius

Winners of the MacArthur “genius” grants were announced yesterday. Having recently been very impressed by one winner’s work, I’ll refrain from my usual curmudgeony response to these newly minted geniuses. Mark Bradford won one of the $500,000 prizes. He is a mixed-media artist who is sharing a show with Kara Walker (a former MacArthur grant winner) at Sikkema Jenkins in Chelsea now.

Red Painting, above, is kinda genius. It’s a real show stopper right by the door. This jpeg doesn’t at all do it justice. That and the one below, Orbit, are both large with a lot of small detail you can’t appreciate like this. Easy solution? Go to Sikkema Jenkins and see some genius.

Milking the Maid, One More Time

The first room of the new exhibition Vermeer’s Masterpiece, The Milkmaid at the Metropolitan Museum of Art reminds you how precious this masterpiece is with a simple device: the wall is covered with a grid of 36 images of paintings. They represent all that has survived of 17th century Dutch painter Johannes Vermeer’s oeuvre of 40 or so paintings. Of those 36, The Milkmaid stands out like a jewel. The Metropolitan has The Milkmaid on loan from the Rijksmusem through November 29, and has created a small exhibition around it.

Continued here on Blogcritics.
It is a great painting, and the rest aren’t bad either. Just look at NYC’s wealth of Vermeers. And if all this is just too much sweetness and color and light for you, get a load of this guy’s codpiece:

The Archer and the Milkmaid, Andries Stock, ca. 1610

This is one of the drawing’s being shown at the Met that makes an argument for the milkmaid as sex object in 17th C. Dutch culture.