Reason and Emotion in Poetry

Stumbling upon a book of Jonh Donne’s poetry, reminded me of that great virtue of 17th C. poetry: reason.

Before the confessional angst of the Romantics, where feeling guides the pen and the poet is the amanuesis of higher sensibilities, poetry was dominated by the controlled and thoughtful poets such as John Donne. Donne’s style deigns the shimshammery of claiming ‘inspiration’ and ‘pure emotion’ guided your hand instead of thought, as it uses intellect to frame a complex argument. Reading Donne is like wrestling with an intellect as it takes you through the course of an argument until you end up somewhere quite different from where you started.

Lovers’ Infiniteness


If yet I have not all thy love,
Dear, I shall never have it all;
I cannot breathe one other sigh, to move,
Nor can intreat one other tear to fall;
And all my treasure, which should purchase thee—
Sighs, tears, and oaths, and letters—I have spent.
Yet no more can be due to me,
Than at the bargain made was meant;
If then thy gift of love were partial,
That some to me, some should to others fall,
Dear, I shall never have thee all.
Or if then thou gavest me all,
All was but all, which thou hadst then;
But if in thy heart, since, there be or shall
New love created be, by other men,
Which have their stocks entire, and can in tears,
In sighs, in oaths, and letters, outbid me,
This new love may beget new fears,
For this love was not vow’d by thee.
And yet it was, thy gift being general;
The ground, thy heart, is mine; whatever shall
Grow there, dear, I should have it all.
Yet I would not have all yet,
He that hath all can have no more;
And since my love doth every day admit
New growth, thou shouldst have new rewards in store;
Thou canst not every day give me thy heart,
If thou canst give it, then thou never gavest it;
Love’s riddles are, that though thy heart depart,
It stays at home, and thou with losing savest it;
But we will have a way more liberal,
Than changing hearts, to join them; so we shall
Be one, and one another’s all.

Soho Poetry Reading and its After-effects


Standing on a stool with papers in hand, the young poet declaims visions. The crowded back room of the Soho bar softly stirs fruit around sangria glasses, as he heaps polysyllabic words on their ears. The warmth and the crowd dull the senses a bit.

This was my night last nigh; a quick bike ride in the suddenly descended chill, and then crammed into a small barrel of a room to be shot at by local wordsmiths.

I didn’t catch much. With all three of the readings I heard, the imagery obscured the train of thought, as if they ambitiously wished to express everything, rather than one thing. ‘Poetry reading’ sounds stuffy. On the contrary, it was familiar and relaxed, even if the deluge of verbal images stirred the heart without reaching the intellect. The energy of the live performance was a treat that somehow left me tracing the words of other poets around the inside of my head.

Is this the best way to experience poetry? Poetry takes one another life when it is read aloud and its musical quality predominates. Yet one–or I, at least–can’t understand it as well as I can by sitting in silence with a poem and reading it again and again.

Yet I was reminded of a favorite poet of mine, who I’ve not read in many months, Edna St. Vincent Millay. The tone of her structured, explosive sonnets number her among my favorites (if I could do such a thing as pick favorites). Please allow me to present, for your reading pleasure, Ms. Millays’ sonnet XLI in Sonnets From an Ungrafted Tree (1923), and allow me to fantasize she is reading it aloud at a Greenwich village speakeasy:

I, being born a woman and distressed
By all the needs and notions of my kind,
Am urged by your propinquity to find
Your person fair, and feel a certain zest
To bear your body’s weight upon my breast:
So subtly is the fume of life designed,
To clarify the pulse and cloud the mind,
And leave me once again undone, possessed.
Think not for this, however, the poor treason
Of my stout blood against my staggering brain,
I shall remember you with love, or season
My scorn wtih pity, – let me make it plain:
I find this frenzy insufficient reason
For conversation when we meet again.

Unfinished and Unread Books

Lately all these arts and culture posts have been artsy in a visual way. That’s fine in itself, except it’s a symptom of a greater malady. And no, not being sick of hearing about the presidential election. It’s that I can’t dig my teeth into any new book. True, I could be to blame. I did try to read up on medieval history and found my enthusiasm waned quickly. There were no pictures. But I also took out a collection of short stories by Russian author Isaac Babel, whose style is excellent and subjects are humorous and folksy. He has a great short story, Guy de Maupassant, and it inspired me to go for the whole oeuvre at once. Sigh…bad idea.

I went to the New York Public library online. It’s hard to search their catalogs, and I ended up almost ordering a dozen old favorites. However, the point is that I want new contemporary fiction. After my Milan Kundera phase, I want a new pet author. And I do not want this to became a fall of Dostoevsky or a winter of Proust. Dear god, I want to get through the winter without committing suicide. Classics thought they may be, my mind doesn’t seem to be up for a challenge.

So I went to Borders looking for a cure. Tragic. The books they put on those shelves did not inspire me to read, but to finish my novel in a hurry, while the general reading public has no taste. Maybe then my project would survive on the turbulent waters of publishing.

What else has fallen beside the wayside? Poetry. I love the 17th century British poets, Langston Hughes, Edna St. Vincent-Millay, and of course Lord Byron. Lately, nothing has moved me.

Any suggestions to stir me out of this apathy? Anything? I’m on the library website now…