Of Russians: Returning to Babel’s Verve

My Russian kick (first Chekhov, then Vladimir Sorokin) has led me back to Isaac Babel, and the rogue is finally starting to get interesting. As I mentioned in a previous post, I ambitiously took out Babel’s collected short stories from the library, then found one story might have been enough for me. On a second perusal, I find his lively verve thrilling and terseness masterful.

Babel’s folksy tales are rollicking in a way Sorokin’s The Queue was not. (To The Queue‘s credit, it ended with a hilarious dialogue of sex sounds.) Babel writes the Jewish experience in Odessa in the 1920s and 30s, so he isn’t dealing with Communism as Sorokin is. Yet he critiques society in a way that suggests he must poke fun at life because he must somehow bear the status quo. These Russians attempt humor through criticism, or criticism through humor, but I’m not sure to what effect, as I haven’t laughed out loud as of yet.

I flipped through Babel’s collection again, hopping from Odessa stories to Red Calvary stories to autobiographical stories. There’s always a joke on someone by the end, and with a modicum of detail he suggest a world of characterizations. His people don’t always have great depth, but they fit in their role in society that grows increasingly complex as we read his cycles of stories. His portrait is one of Russia rather than an individual. Humble lives are transformed into red-blooded exercises in existence. What I’m trying to say is, Babel is a great storyteller.

Babel, photographed upon his arrest

Babel’s life is a story unto itself: he survived the 1905 pogrom that killed his grandfather. He became a journalist and fiction writer, only after fighting in wars and studying finance for lack of other options. He become silent under Stalin’s tightening control. Accused of being an aesthete, Babel would pay for his artistic licence (see Wikipedia article here):

After the suspicious death of Gorky in 1936, Babel noted: “Now they will come for me.” …In May 1939 he was arrested at his dacha in Peredelkino, and eventually interrogated under torture at the Lubyanka….After a forced confession, Babel was tried before an NKVD troika and convicted of simultaneously spying for the French, Austrians, and Leon Trotsky, as well as “membership in a terrorist organization.” On January 27, 1940, he was shot in Butyrka prison.

Reportedly, while Babel confessed under torture, “once he realised he was doomed, he recanted” but “it made no difference.” His last recorded words were,

“I am innocent. I have never been a spy. I never allowed any action against the Soviet Union. I accused myself falsely. I was forced to make false accusations against myself and others… I am asking for only one thing — let me finish my work.”

Unfinished and Unread Books

Lately all these arts and culture posts have been artsy in a visual way. That’s fine in itself, except it’s a symptom of a greater malady. And no, not being sick of hearing about the presidential election. It’s that I can’t dig my teeth into any new book. True, I could be to blame. I did try to read up on medieval history and found my enthusiasm waned quickly. There were no pictures. But I also took out a collection of short stories by Russian author Isaac Babel, whose style is excellent and subjects are humorous and folksy. He has a great short story, Guy de Maupassant, and it inspired me to go for the whole oeuvre at once. Sigh…bad idea.

I went to the New York Public library online. It’s hard to search their catalogs, and I ended up almost ordering a dozen old favorites. However, the point is that I want new contemporary fiction. After my Milan Kundera phase, I want a new pet author. And I do not want this to became a fall of Dostoevsky or a winter of Proust. Dear god, I want to get through the winter without committing suicide. Classics thought they may be, my mind doesn’t seem to be up for a challenge.

So I went to Borders looking for a cure. Tragic. The books they put on those shelves did not inspire me to read, but to finish my novel in a hurry, while the general reading public has no taste. Maybe then my project would survive on the turbulent waters of publishing.

What else has fallen beside the wayside? Poetry. I love the 17th century British poets, Langston Hughes, Edna St. Vincent-Millay, and of course Lord Byron. Lately, nothing has moved me.

Any suggestions to stir me out of this apathy? Anything? I’m on the library website now…

The Difficulty of the Blank Page

Faced with a choice, one option of 2 or 3, life is easy. A blank page or an empty screen, however, is unlimited. Unconstrained, it becomes a mirror of yourself. A blank page is a scary thing: you simply stare at yourself, blinking.

Isaac Babel, in his short story Guy de Maupassant [photo of l’inspiration, right], affirms the necessity of perfection in each choice of word, claiming “No iron can pierce the heart with such force as a period put just at the right place.” Babel was a tireless reviser, editing and reediting his work, making each survivor almost a miracle. I admire this style, and between it and my affirmed fear of seeing what my reflection would be, very, very few words make it onto a page of mine.

This is an unsatisfying result; one must have courage. I shall try to write this blog more in the manner of Fernando Pessoa’s Book of Disquiet. Aside from it miserable navel-gazing, I hope for my fragments to achieve a continuity as his do, over time, repetively. So a minimum of editing to each of these posts! I want conclusions to be drawn out of a spiderweb pattern, and atmosphere to glisten like dew from each strand. Perhaps one day I’ll stare long and hard at my own reflection.