Tag Archives: Budapest

Miklos Gulyas at Mai Mano

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I went to Mai Mano to check out the Vivian Maier show, and the Art Nouveau building itself, but then discovered some recent street photography by Miklos Gulyas in a show upstairs.

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The artist says of the works that:

“When I go out into the streets, I often seem to find that, among other things, common sense is missing most. Poverty and barrenness are not unusual phenomena; as we lived in some sort of ongoing, ridiculous, unnecessary indulgence where, slowly, practicality becomes deviance.”

This critical social viewpoint becomes clear as one sees all the images the flaneur has collected on his walks around Budapest. I especially like the American flag track suit and the Rubik’s cube purse, and all the amalgamation of culture in between, in a style Gulyas calls “caricature-realism.”

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Graveyard of Socialist Statuary: Memento Park

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Ah, the strong, clean lines of Social Realism! Memento Park, just outside Budapest, houses a collection of Socialist/ Communist statuary that formerly decorated the city in a solution to the problem of what to do with these markers of the Soviet past. Rather than destroy them or leave them where they were, some of the statues of Lenin (my personal favorite) and other heroes of the Soviet satellite state, were gathered here. Photos below, and my own ‘tribute’ to Lenin in video form here.

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Vitaly Pushnitsky at Deak Erika Gallery

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Installation View

I found the black and white paintings of St. Petersburg-based artist Vitaly Pushnitsky, currently up at Deak Erika Gallery in Budapest,  too  lovely not to share. They manage to be impressionistic without the blurry Gerard Richter newspaper feel that is so common. The tondo format suggests a religious or classical aspect, but the subject matter is the street, trash, or mechanical objects. This traditional treatment gives importance to contemporary scenes we don’t consider beautiful on a daily basis.

The small collages literally cut up renaissance frescoes and sculptures, reworking traditional art historical treatments into a contemporary point of view. The idea of cutting historical images into three-dimensional objects is familiar from the past few years of New York art fairs, but it is effective. Here this Baroque church interior seems to have a swastika cut out of it. Certainly a loaded combination of imagery.

More than anything I love how he paints, and I can certainly share his fascination with art history. I read this commentary on his work that I think summarizes my feelings as well:

“Pushnitsky works in a wide range of genres, from oil painting to video art. His style often blends contemporary and classical imagery: chubby-cheeked cherubim appear near capsized automobiles, bulldozers dismantle Romanesque ruins and sculptures emerge out of styrofoam packaging. It’s been interpreted as postmodern – and as just plain kitsch. But the artist’s technical skill is undeniable, especially in painting.”