Free Store?! Groovy, baby

10th Street, Manhattan used to be home to a free store, above.

What do British communists, San Francisco hippies, and free stores have in common? The name ‘diggers,’ among other things.

In 1649, British communists called themselves diggers and tried to create Utopian, moneyless societies. Mainly small agrarian communities, these died out by 1651, in part because of efforts against them by the King’s Privy Council.

A group of performance artists in San Francisco, founded by Emmett Grogan,took the name ‘diggers‘ in the 1960s . Riding on a wave of hippieness, the movement grew as they too tried to create a moneyless society. They put on performances in the parks and streets, making San Francisco their stage. They spawned the first free stores in the United States, and have also been credited with the spread of whole wheat bread in America. Going back to the agrarian roots of the movement, these diggers baked bread in 2 pound coffee tins and gave it away. Recipe here.


This led to a free store on 10th Street in Manhattan, where according to a New Yorker Talk of the Town article from 1967, the shop was “crowded with Negro and Puerto Rican children, old women speaking Middle European dialects, barefoot runaways with glazed eyes, stumbling winos, and gaily ornamented hippie couples, all picking through boxes full of used shoes or fingering racks of soiled clothing or burrowing under piles of miscellaneous junk spread out on rough wooden tables, which line the walls.”

Has the digger movement entirely died out since then? If you remember the New York Times article from last summer, not at all. Dumpster diving was exposed as part of a freegan community. The freegan‘ lifestyle was (dubiously) celebrated as “scavengers of the developed world, living off consumer waste in an effort to minimize their support of corporations and their impact on the planet, and to distance themselves from what they see as out-of-control consumerism.”

Sounds like the 1960s diggers and 1650 agrarians have found their modern day equivalent. You’d think free would sell itself in the most practical way, yet these groups all developed a socially conscious ethos that supported their anti-establishment view of the good life.

Peace and Love.

Yoga Invades MoMA

Pippilota Rist’s video and sound installation Pour Your Body Out at MoMA is a engrossing and delicious experience. Lights fill the white walls, and people lay back to watch the film with their shoes off. (The smell of feet is the only disquieting element.) This kind of exhibition could be enjoyed lounging, hungover, and–according to Jerry Saltz at New York Magazine–doing yoga.

To increase engagement with the installation, artist Cheryl Donegan arranged an impromptu yoga demo at MoMA that had museum goers doing triangle poses. If only I had been there! I second Donegin, that audience participation at the exhibition and at theanyspacewhatever exhibition at the Guggenhiem could have been greater, especially at the latter exhibition.

Museum goers are so used to feeling like an audiences that it can be hard to break out of that mold and touch the art and think about space playfully. Saltz describes the experience, in jealousy-inducing terms, thus:

On Friday night, I arrived to find the darkened atrium teeming with hundreds of people; Rist’s wonderful droning, chanting soundtrack filled the air with drowsy delirium, and her images of gigantic naked floating bodies, lush undergrowth, and water filled the walls. A few minutes before the appointed starting time, a dozen or so people, almost all women, shed their coats to reveal work-out clothes. At 7:00 p.m., the tall, fit, and charismatic Auder, outfitted in a gold-lamé leotard and striped leggings, announced that she was leading a free yoga class.