Annoying Annotations of a Besotted Byronite

My recent homage to ‘mad, bad, and dangerous to know’ Lord Byron made clear that not only was Byron idolized as a celebrity in his time, but that I adore him myself, making him a patron saint of this blog for example. I was inspired to write that post partly by the old biography of him I found at the library. Well, this staid biography by Longford contains a discovery of a most upsetting nature! Of a nature so vile, I have been tempted to put the book down unfinished.

Some creature, of repellent handwriting and distinct ammorality, has annotated this book! Scrawled in No.2 pencil all over its margins!

“Lord Byron then went to Venice…” becomes annotated by some childish scribble such as “As he should! Pisa was far too provincial for him” (the excess of exclamation points is distinctly annoying.) This person, no doubt some susceptible very young or very old female, defends Byron against any negative charges brought against him by his peers, defends his incestuous love for his sister, defends his leaving his sick 4-year-old daughter in a nunnery to die of typhoid fever, and calls Shelley a ‘tiresome bore’! She quite obviously shows her jealously of his many mistresses, and roots for Byron to leave them all and break their hearts. She keeps saying things like, “But Byron was never a class-traitor or atheist, thank god!” Yes, thank god he was a selfish, incestuous poet who was ‘revolutionary’ but title-proud…?

So look you, o noble notater, come forward. I challenge you to a duel. Something must be done to stop your forever marking up books to turn dialogues into trialogues, and if death is the answer, so be it. I demand the satisfaction.

And you readers, if you happen to come across a female of inexplicable and strong feelings towards the sundry elements of Lord Byron’s life who is an amoral, elitist with strongly round handwriting, probably defensive of some petty title she inherited, and likely a dumpy figure and big red nose, please tell her my challenge.

Factious Fiction: Alan Bennet’s The Uncommon Reader

Perhaps you know the term ‘factious’? No? A blank slate are we? Then memorize the second italized definition, for that is the one that will be useful in this book review.

fac·tious (fak′s̸həs): adjective. 1. producing or tending to
produce faction; causing dissension 2. adding facts to fictious
stories or things, characterized by the misplacement of
fact

Alan Bennet’s new novella, The Uncommon Reader, is a light read about a dutiful Queen, a most pratical and attentive Queen, who takes to reading, of all things. Her servants put it down to dottiness, as at a ripe old age she begins thinking, noticing people, and reconsidering her duties and life.

The term factious is handy here, because Alan Bennet seems to be writing an imaginary fable about the joys of reading and self-discovery, except its about the real Queen of England with oodles of corgis and Diana’s death thrown in. A peculiar mix of fact and fiction, that is to say, factious. The dramatization of living people with stories that have nothing to do with them strikes me as a little odd, as if the Queen was a bird that wanted stuffing, if I may be so factious as to say so.

The Queen’s tone determines the whole novella, as it should since its her point-of-view, but it’s a pity her tone happens to be plain, uninsightful, and purely functional. Only at the end does the Queen take on some elegance and humor in her speech, and one gleans its a function of her reading. Novella-sized is the perfect length for its easily digestable but not inspiring tale. Amid teas and prime ministers and rain, it lacked only one British thing: that wicked sense of humor.

However, this homage to the written word did have its fun plot elements, such as the gay kitchen boy, and a neat ending, and its a pleasure to find something a little bit different on the shelves of Barnes & Noble. One also found the use of the impersonal royal tone never failed to please. Alan Bennet is a succesful author, whose most recent play is the The History Boys currently on Broadway. No doubt this little red book will find its way into many stockings come Christmas.

Unfinished and Unread Books

Lately all these arts and culture posts have been artsy in a visual way. That’s fine in itself, except it’s a symptom of a greater malady. And no, not being sick of hearing about the presidential election. It’s that I can’t dig my teeth into any new book. True, I could be to blame. I did try to read up on medieval history and found my enthusiasm waned quickly. There were no pictures. But I also took out a collection of short stories by Russian author Isaac Babel, whose style is excellent and subjects are humorous and folksy. He has a great short story, Guy de Maupassant, and it inspired me to go for the whole oeuvre at once. Sigh…bad idea.

I went to the New York Public library online. It’s hard to search their catalogs, and I ended up almost ordering a dozen old favorites. However, the point is that I want new contemporary fiction. After my Milan Kundera phase, I want a new pet author. And I do not want this to became a fall of Dostoevsky or a winter of Proust. Dear god, I want to get through the winter without committing suicide. Classics thought they may be, my mind doesn’t seem to be up for a challenge.

So I went to Borders looking for a cure. Tragic. The books they put on those shelves did not inspire me to read, but to finish my novel in a hurry, while the general reading public has no taste. Maybe then my project would survive on the turbulent waters of publishing.

What else has fallen beside the wayside? Poetry. I love the 17th century British poets, Langston Hughes, Edna St. Vincent-Millay, and of course Lord Byron. Lately, nothing has moved me.

Any suggestions to stir me out of this apathy? Anything? I’m on the library website now…