Monthly Archives: November 2009

Eco, lists, and the Louvre

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Doesn’t he look like Hercule Poiret?

I confess, despite having left University, I still manage to have professor-like crushes on men I’ve never met, and Umberto Eco comes first and foremost on my list. He wrote the bestselling The Name of the Rose novel, is the preeminent semiotician, and more recently has written treatises On Beauty and On Ugliness. So how chuffed am I that he’s curating an exhibition at the Louvre as part of its recent shake up? Very.

In exploring the infinity of lists, his chosen subject, Eco studied the Louvre’s collection for two years to create Mille e Tre. He likens our tendency to make lists as one that attempts to order and quantify chaos. This leads us to accumulate lists of saints, catalogues of plants, collections of art, and encyclopedias. One painting that represents this might be a Dutch still life, with its profusion of naturalistic and bountiful fruit. Eco chose works related to the subject of lists and enumeration but also voluptuousness and the effects of abundance, or “vertigo.”

Eco, from Art Newspaper, says:

“The search for The List in the corridors of the Louvre was as exciting as hunting the unicorn. Painting has a beauty that is born of accumulation; art embodies the plurality and variety of reality in the limits of the form. From Antiquity down to the 19th century we have been prisoners of the picture frame; in painting, the frame tells us that ‘everything’ we should be interested in is inside it. I want to invite people to go beyond the form of the physical limits of the picture, to imagine the etcetera, a very important concept that suggests that it may continue. I want to invite people when they look, for example, at the Mona Lisa to go beyond what is most obvious and to observe the background landscape and wonder whether it extends into infinity—something that Da Vinci perhaps intended. To look at a picture as if we had a movie camera that would do a travelling shot to show us the rest.”

If you want get more of a taste of my crush, check out this great Spiegel interview. Lucky for me, who won’t be visiting the Louvre before the exhibition ends this February, is that Eco has written a book entitled The Vertigo of the Lists to complement the exhibition. On one hand, a list seems like a simple enough thing; we all make grocery lists or task lists. But if you think of an encyclopedic museum like the Louvre, what is it but a large list of universal culture, trying to encapsulate in one building objects the signify all of human achievement?

Damien Hirst: Practice Makes Perfect

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“Anyone can be like Rembrandt. I don’t think a painter like Rembrandt is a genius. It’s about freedom and guts. It’s about looking. It can be learnt. That’s the great thing about art. Anybody can do it if you just believe. With practice you can make great paintings.”

The artist poses in front of his latest show

The Telegraph reports that Hirst: “made the comments as he defended himself from critics of his latest exhibition at the Wallace Collection in London, which has been described as “an embarrassment” and “shockingly bad”. He admitted he had a long way to go before equalling the 17th century Dutch master, but dismissed the idea that Rembrandt was a genius and claimed that, with practice, he could learn to paint like him.”

While I might not entirely disagree with Hirst’s comment, it’s hilarious that he is getting defensive now. Apparently putting animals in formaldehyde for ridiculous amounts of money required no comment. He really branched out with his work, and kudos to him for taking that kind of risk. At the same time his idealism- anybody can be a great painter if they just believe- isn’t working here, at least according to the critics. Maybe he needs more practice?

Best Post Ever

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I haven’t blogged since Friday, and I truly truly meant to yesterday, but obviously that didn’t happen. So I truly planned to make this up by writing the BEST POST EVER.
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[Insert BEST POST EVER here]

I don’t even have the BEST EXCUSE EVER–I went home to Georgia for a week. I got back late Sunday night. Yesterday I spent about three hours opening everything that had been sent to me and a solid hour dithering before I weakly began to do something about it. Then I succumbed to TV shows and two historical novels I wanted to finish. This is not the stuff blog posts are made of. I could tell you a bit about how I painstakingly listed each scene of my novel, cut up the paper into scenes, and played with their order until I had restructured my plot. (It was a more refined version of the post-its I showed you.) Then, however, you would know how long I’ve been stuck on it! I wish I had just written it this way in the first place, but ultimately I’m really glad to be excited about it again. It was like an albatross hanging on my neck.

So yes, this is just a ‘hello’ for now. I have to make myself a cup of tea and get some work done. Tomorrow: a MIDDLING – BEST POST is on the agenda! (I promise : )