Sinta Werner: Question Reality

There were so many high-quality artists being shown at Volta, but Sinta Werther’s work at the Nettie Horn Gallery booth stood out to me.

The Broken Bits of Pieces use glass, lightbulbs, and mirrors to reflect carefully painted scenes, but they are less scenes as suggestions of place.

These Autoprojections, above and below, are done on photographic paper with paint, and as you can kind of see in the image below, the paper has also been folded.

Apparently these are small-scale examples of her preoccupation with bending space and begging the view the question reality and perception, and some very cool examples of large-scale manipulations can be found on Volta’s page dedicated to the artist.

Public play: Butterfly money

“Public play” was called for: asking people to step into this booth for 2 minutes of floating butterflies blowing around at GE Galeria, Monterrey Mexico, by Erika Harrsch. This neat and, yes, playful exhibition was probably the most engaging work at Volta art fair.

In an on trend moment, the butterflies (which) I thought were made of trash) are made of currency. Currency appearing folded, printed on, or painted all over the fairs.

Ryan Wallace’s Violet Collage

Mist (Timeline) 3 (2011), Ryan Wallace

Another favorite from Pulse, Ryan Wallace’s large violet collage at Morgan Lehman’s booth, led me to do some research on the artist this morning.

I thought the painting/mixed media piece was nicely framed by the white Still Lifes on either side at Pulse, and I loved the subtle variations in tone of the work up close. His materials are really nicely integrated, and the end product very finished and smooth. But…

…his artist statement gave me a terrible case of the giggles:

“I am inspired by both the genius and the crackpot, the elegance of the universe and Tron.“

Suddenly all I could think of was Charlie Sheen.