Carl Larsson’s Idyllic Spring

Spring

I’ve just returned from a quick visit to Sweden (my grandmother’s 90th birthday). The snow there has melted, and spring has just started to peak out from under the dead leaves. Carl Larsson’s images are representative of some of the idyllic Swedish days, full of light, that are just starting. 

Breakfast under the Big Birch Tree

Similar to Norman Rockwell in America, Larsson’s focus was on the home and happy families, and encapsulate the best and most charming aspects of Swedish life at the turn of the century. Also like Rockwell, advances in technology allowed his work to spread and become popularly known. Larsson’s watercolors could be reproduced easily through new printing techniques, just as Rockwell’s illustrations were spread on the cover of magazines. Having only spent the warmer months there, my memories of Sweden are just as idyllic.

Flowers on the Windowsill

Take a tour of Carl Larsson’s well-preserved and beautifully decorated home here. 

Cycladic Heads: What the Nose Knows

Cycladic Head, Mindy Shapiro at Armory 2011

Is the title referring to the the Bronze Age civilization on the Cyclades islands in the southern Aegean Sea, or the present day inhabitants? The painted acrylic scales covering the wood statue were hand cut and performs marvels of gently undulating texture.

Detail, Cycladic Head

 The Metropolitan has its own Clycadic head, most definitely of the Bronze age- 2700 BC to be precise.

Head from the figure of a woman, Metropolitan Museum of Art

There are traces of pigment on the sculpture that suggest the surface was originally colored in with more facial features. Typically the nose the only individual feature sculpted, lending it a noticable prominence today.

Look What Happened to the Art Market

“Without Wall Street many forms of books, incunables, high spots of modern literature, are already unobtainable by the average collector or even fairly well-to-do collectors. Think Great Gatsby at over a $100k…Look what happened in the art market, where paintings that used to cost thousands are now hundreds of thousands, and paintings that used to cost hundreds of thousands of dollars are now millions of dollars…. 

If Wall Street gets hold of books and turns them into high priced investment widgets, then look out. No one will be able to afford them any more and some of the joy of collecting will be gone.”

This quote from The Man who Loved Books Too Much: The True Story of a Thief, a Detective, and a World of Literary Obsession came from a book dealer upon hearing that book collections were being characterized in Worth magazine as good investments. It certainly hard to imagine people like to Vogels collecting in todays market, which bounced back from the financial crisis without losing much of the gains it has made over the past 20 years.

Does the rare book market share the same future? If so, I’d better scrounge up my first editions. It’s interesting that this book dealer, who would profit for this more than the average collector potentially, doesn’t like the idea of pricing people out of their collecting hobby. The dealers arguably benefit more than the collectors or artists, because many collectors are priced out and because fewer contemporary artists make the cut for the higher prices being paid at auction. But on the other hand, perhaps it is a sign of the health of the art market than it can command such record high prices.

By the way, the book itself is proving quite enjoyable. It’s the true story of a book thief who stole rare books and hoarded them in the modest apartment he shared with his father, not unlike the art thief of my novel who steals to create his own personal collection that he keeps at his mother’s house.