Salonnieres in New York?


Oh, how antiquated! Those intellectuals gathered around a book, in this 1728 painting Reading from Moliere by Jean Francois de Troy, are so period in their gowns and ‘avant garde’ literary tastes. It’s charming to witness the interchange of ideas between cultured people, even in oils, and the history of the Parisian salon is even more charming.

Salons were free and easy gatherings where social status was less important than conversation and intellect. Dominated by the women that hosted them, salons were a chance for cultured women to meet men as their equals. In some fashion, salons have been hosted in urban centers such as Paris, London, and Rome since the 1600s and produced no end on stimulating conversation and interesting ideas. Charming, but hardly in touch with this modern age of speed and technology, where people need never meet in person, no?

In fact, no. This afternoon I am attending, of all things, a salon hosted by the lovely Helene Forbes devoted to the discussion of the arts. Who comes? Artists, writers, enthusiasts and all sorts who like discussing recent exhibitions, galleries, gossip and a general love of the arts.

What a delightful afternoon! I’ll have to channel Gertrude Stein, whose brilliant conversation attracted the Cubist and experimental artist and writers, among them Pablo Picasso, Henri Matisse, Juan Gris, F. Scott Fitzgerald, and Ernest Hemingway to her salon, which was probably the last one of note in Paris. Here’s to a New York revival of the salon tradition.

Love Poems (It is Valentine’s Day after all)


I never knew until this morning
That Manhattan could be pink and blue
Or how much I love you, asleep
Deep in those closed eyes
Is your dream of pink treetops, Chagall visions?
Are we floating through the sky with a goat?
Is it as silent and white and pure
As I feel in my waking dream of you?
I wonder if Eve, on the first morning of creation,
Had an inkling of the way she could rip
the fabric of dreams.


Green is my love
Green like the blades of grass in Spring
Warlike wounds to the soles of my feet
Pricks to the red red exterior of my beating
Is green love so warlike, so prickly?
I know a childhood rhyme about a zebra.
What’s green and red all over, lover?

A love trembling, a quaking soul,
Heart’s red drips on new grass
A lover who finds Spring comes early.

There are no trees in my garden.
Grass has been cut, hedges pruned.
Attacked by love, I lack strength.
I fall to green grass and look up,
Up to the stars and sky,
But I can’t see—branches hang over
And shadows shelter the ground.
A tree has grown in my garden.

It grew unmolested and unmolesting,
Until faintly, I fell.

Ravels in Review Friday

You! No—It’s too late now. I’ve seen you, and now you have a chance to see the workings on a highly critical (or is it high and critical?) mind at work. Read on, for my ravels in review of this week.

There was an artist toeing the line between beautiful and ugly that I discovered through an add, Club Guggenheim did not rock, insight into where to get your art gossip, Reena Spualings confirmed not a fake by said art gossip, and yoga invaded MoMA. Whew–what a busy week!

But most particularly, read my post on painter Marlene Dumas’s retrospective now at MoMA here in New York. This artist is generating reactions that range from rave (LA Times) to snide (he at New York Magazine who shall remain nameless ) to “warm” (New York Times) to tentative (mine). What do you think of her work? Why does she create such ambivalence?